Tag Archives: LilMikeSF

Best Of Bandcamp Via The Hype Machine

Anthony Volodkin of the Hype Machine is a clever interesting guy who played a big role in music culture in the early 2000s when he revolutionized the promotion of music on the internet after he coded up an aggregator called the Hype Machine in 2005 that found a way to stream tracks form the myriad of internet blogs then posting music to an avid readership numbering in the millions. I can tell ya personally about the popularity of this wild wooly indie scene because I had a music blog at the time drawing thousands, if not tens of thousands of hits a day, much of that traffic derived from Anthony’s Hype Machine website.

Today with Alphabet’s YouTube, Zuckerberg’s social media & ezos’ e-commerce empires hogging most of the web traffic, my website now pulls around a fraction of that, maybe a hundred unique visitors a day, a far cry from when there were fewer internet users but there was more equal footing amongst all the sites on the web. I myself had kind of forgotten about the Hype Machine over the past decade, as the democratization of the web has largely disappeared into corporate content mazes, but was recently amazed to stumble in and see the Hype Machine was still functioning. In fact, it had even been crowdfunded, and now plays a central part in a quasi historical new book by Lina Abascal on the so-called ‘bloghouse’ movement, an account called Never Be Alone Again of which some excerpts from her writing are aggregated ala the ype Machine below.

“Music was beginning to move at the speed of the internet and new songs could be uploaded, reviewed, distributed, redownloaded, DJed out, remixed, (and repeat) faster than ever before.

Abascal BookMusic blogs in the second half of the ’00s were completely autonomous, uploading a constant stream of new tracks for not much more than the love of the game. (And maybe for the glitter of Z-list celebrity status from a regular position on the Hype Machine charts.)

The mode of discovery shifted away from finding your new favorite song on the radio, at the record store, or even hearing it at a club; now you knew everything about an artist before you even got to the party. The party where a promoter had booked an artist based on hype from blogs written by kids in dorm rooms. The bloggers weren’t totally sure if what they were doing was legal, but it never seemed to matter all that much anyway. Publicists representing the artists being blogged about were known to encourage the practice by sending free download links in their press releases to bloggers.

Compared to now, the scope of the internet felt drastically smaller; a loose network of niche communities that had yet to be flattened by corporate interests.

The true democracy of the sound’s wild wild west was Hype Machine. An aggregator with no human face or editorial input, Hype Machine (sometimes known as Hypem) was founded in 2005 by Anthony Volodkin, a Brooklynite by way of Russia.

“It was a chaotic time for music on the internet. I would spend hours listening and finding new blogs to listen from. Then I started thinking of how I could make something so I could listen to this more easily,” explained Volodkin. Marrying curation with convenience, the software engineer began building a tool to aggregate all of the scene’s music blogs’ daily postings to one website. “It felt like a radio station was being assembled in front of me,” he said of the earliest version of the site.

With its green and white layout, Hype Machine simply listed songs in a numerical ranking by online popularity. Other blogs could decide what to post based on what the rest of the blogosphere was posting, and listeners could head there to streamline the process of trolling the blogs themselves. In its prime, Hype Machine remained a fair, non- gameable website where the good stuff rose to the top. There were no paid posts, no partnerships, no commentary. The technology did the work and the culture did the rest.   (read more at Abascal’s new book Never Be Alone Again )

One of the cool things Volodkin’s HypeM team encoded recently was perhaps a penance for their illicit mp3 spreading past, this being the Merch-Table an application that can cross reference song titles from Spotify Playlists and link out to their monetizable counterpart links on Bandcamp where revenues from purchases are far more likely to actually make it to bands and labels that are keeping music alive. Here are some tracks below that I pulled from Spotify playlists I’ve made that can be found on Bandcamp where you can check out the albums and artists’ official sites to support them.

You can read about the rise and eventual decline in popularity of the Hype Machine here at Noisey

Bobby Fuller Died for Your Sins

Chuck Prophet Buy on Bandcamp →

 

Cenário

FloFilz Buy on Bandcamp →

Bird of Spring

Metropolitan Jazz Affair Buy on Bandcamp →

Always Back to Lorraine

Chrome Pony Buy on Bandcamp →

Sad and Beautiful World

Jesse Malin Buy on Bandcamp →

Lunar Gardens

Possum Buy on Bandcamp →

Jacker

Heavy Times Buy on Bandcamp →

A Psych Tribute to the Doors featuring Raveonettes

Various Artists Buy on Bandcamp →

World Music

Goat Buy on Bandcamp →

Lets Do It Again

Giuda Buy on Bandcamp →

Brenn Siste Brevet

Erlend Ropstad Buy on Bandcamp →

New Leaf

Bantum Buy on Bandcamp →

Back Together

Jean & Trevor Buy on Bandcamp →

Untitled (Black Is)

SAULT Buy on Bandcamp →

Gold Brick

Jon Langford Buy on Bandcamp →

Racey Roller

Giuda Buy on Bandcamp →

I’m Just Like You: Sly’s Stone Flower 1969-1970

Buy on Bandcamp →

Days To Come

Bonobo Buy on Bandcamp →

The Instrumental Session

Various Artists Buy on Bandcamp →

 

Live From Axis Mundi

Gogol Bordello Buy on Bandcamp →

Carved By Glaciers

Lymbyc Systym Buy on Bandcamp →

The Fear Is Excruciating, But Therein Lies The Answer

Red Sparowes Buy on Bandcamp →

Tokyo EP

Nyteowl Buy on Bandcamp →

Richie Ramone Live in Las Vegas – Smash You / I Just Want To Have Something To Do

Here’s veteran rocker Richie Ramone, backed by his touring band featuring throttle down Aussie six string meister Ronnie Simmons on guitar, Clare Misstake on Bass and ex-Feederz drummer Ben Reagan. This clip of classic Ramones’ tunes was recorded live at The Dive Bar in Las Vegas. The band were pumpin’ up the volume, but with vocals at the mercy of an atrociously lame PA, but what would ya expect at a place called the Dive Bar? I shot this clip on the first night of their 2016 US Tour that eventually took this band across the US via dozens of energetic shows in some 26 states, and then onto the EU, South America, and Asia.

Richie Ramone on vocals, Clare Misstake on Bass, Ben Wah on Drums, Ronnie Simmons on Guitar
Live at The Dive Bar in Las Vegas

Richie Ramone (aka Richard Reinhardt) joined the Ramones in the early 80’s when Marky was demoted due to an alcohol related reliability problem at the time. Through some of their most extensive touring runs, best selling albums, and highest charting singles, Richie infused new energy into the group, and was the fabled NYC band’s backbeat for hundreds of gigs. Richie played on, and even co-wrote some of their best known songs of the 1980’s including “Somebody Put Something In My Drink” and the single “Smash You” (seen in this clip). After a well documented falling out with Johnny and the band, essentially over not receiving a split from the band merch (especially t-shirt’s that bore his name and photo), he quit in a huff in the late 80’s.

Reinhardt recently resumed his indentity as Richie Ramone to keep his former band’s fabled four on the floor 1-2-3-4-Go sound alive, and give a new generation a chance to experience a full throttle rock show like the Ramones once delivered night after night.

Richie Ramone Entitled LP

His album “Entitled” dropped in 2013, and “Cellophane” arrived in the fall of 2O16 featuring all new tunes from Richie with the same ol’ bad attitude the Ramones were known for… I own both and ain’t afraid to spin ’em, even if the neighbors disapprove.

Richie Ramone Autographed White Vinyl "Entitled" LP

Flat Five Find Love Live

A groovy Free Design cover performed by super talented Bloodshot Records recording artists The Flat Five from Chicago Illinois. This cover song was recorded Jan 18th 2017 on the final show of the band’s first ever Pacific Coast Tour in San Francisco.

The Chicago based quintet of Kelly Hogan, Nora O’Connor, Scott Ligon, Casey McDonough, and drummer Alex Hall were surreptitiously recorded for posterity (but Nora kept spotting the lil’ cameras everywhere, cuz she’s still pretty observant for a road weary mamacita). For more info on the Flat Five and to obtain their debut album visit their website http://www.theflatfivechicago.com

If ya dig it, please consider donating a $1 to keep my channel alive & kicking http://paypal.me/lilmikesf …

😀 𝙏𝙝𝙖𝙣x 𝙁𝙤𝙧 𝙒𝙖𝙩𝙘𝙝𝙞𝙣𝙜! 🚩

Video graciously hosted for free by LBRY.TV where unfettered free speech & courageous uncensored and non-corporate content can still circulate on the internet

Cock Sparrer – Teenage Heart at #RockTheShip

UK Boot Boy Glam Rockers Cock Sparrer Present Their Classic Song “Teenage Heart” From The Flight Deck Of The U.S.S. Hornet Aircraft Carrier In Alameda CA.

Cock Sparrer performing at Rock The Ship

The occasion was “Rock The Ship” a festival celebrating the 15th Anniversary Of Pirates Press Records, and quite an event and logistical nightmare it was, with shows taking place over multiple venues on 4 successive nights and peaking with this headlining set aboard a massive aircraft carrier.

Amongst the many details Pirates Press and their event production staff accounted for included the building of a separate 30 foot high entrance scaffolding to accommodate getting attendees up to the flight deck of the decommissioned aircraft carrier just for the event.

#staytuned catch more Cock Sparrer Official video and other clips from #RockTheShipFestival coming soon to my https://lilmike.me page in the near future…

NOFX : Fish In a Barrel And Who In America Cares?

Since the late 1980’s the band NOFX has been torturing audiences coast to coast, and eventually worldwide, and they’ve only gotten more popular for some mysterious reason.

Below I’ve embedded a rare video I shot of the band circa 1992 at a show at the Bottom Of The Hill in San Francisco, and you’ll get their 2019 single and the most recent US search trends data from Google on who is looking up the band.

picture of Fat Mike of NOFX, with drummer Eric Sandin taken February  2007 by Miles Gehm in San Francisco

I think the video above was shot an early all ages Sunday show circa December 1992 at Bottom Of The Hill in San Francisco. Aaron Abeyta ( aka El Hefe) was a recent addition, and I think the White Trash Two Heebs and a Bean album had just been released. It could’ve also been 1993…I can’t recall, I know NOFX toured Japan with All You Can Eat in 1994, but this is definitely before then… Does anyone else remember this gig?

Here’s google search data on where in the whirled peeps keeps looking these guys up

The Buttertones – Life Coach

Live footage of The Buttertones in San Francisco performing Life Coach, an original song that appears on their 2016 self released “American Brunch” LP.

The cinematic surf noir of The Buttertones captured on multiple foggy lensed cameras in a darkly lit crowded low ceilinged basement full of hysterical sweaty shrieking females, whats not to like?

This video is a multi-cam clip from their 2017 summer tour which I captured below the Swedish American Hall on Market St at the nocturnal retreat otherwise known as DuNord.

The Buttertones, an educated and enigmatic five-piece combo that arose from the Los Angeles basin at the time consisting of Richard Araiza (vocals/guitar), Sean Redman (bass), Modesto Cobian (drums),  London Guzmán (saxophone) and Dakota Böettcher (guitar). I have just read that as of July 2019, guitarist Dakota has left the group, so it should interesting as they forge ahead without his additional musical influence.

Flipper Turns Forty, That’s The Way Of The World

Flipper’s 40th anniversary is this year and they are playing later this week in their hometown of San Francisco at Great American Music Hall. I guess I gotta shell out the big bucks if I wanna see ’em again. Should I do it? It will be sorta like a family reunion, in that not everyone will be there, and those that are, might not even be recognizable the way you remembered them, or even the members you’d want to see the most.

Here’s live video clips I made featuring songs made infamous during Flipper’s early years…

One further down below is newer from the 21st century, featuring current vocalist David Yow doing Love Canal and Ha Ha Ha which were on an early single. The other just below is about 20 years older, you hear part of their final Subterranean single “Someday” and the closing song “Way Of The World” from a daytime outdoor show in the early 90’s when the reconstituted band soldiered on after the death of original member Will Shatter. At the time a guy named John Dougherty was brought in on bass, and just like Will, Dougherty too would also die of a heroin overdose shortly after this 8mm footage was shot.

Here’s a more recent live lineup performing past glories from the band’s break-thru single originally released on Subterranean Records in 1981

Both songs are masterfully jaded methed up narcoleptic noise rock takes on the American Dream gone awry, setting the tone for the emerging ennui amidst a painful wasteland of suburban consumer conformity and corporate malfeasance that would be known as the 1980’s.

For a year or two in the late eighties, I used to answer Flipper’s fan mail, not for the money, uh, just for the glory I think… besides they were too lazy. Their singer Will Shatter would show up and sit beside me at the Subterranean record label store front on Valencia St circa 10 am with a Bartles & Jaymes wine cooler in hand. He was really just hoping to cash spare royalty checks before the rest of his bandmates, and seemed disinterested in the fan mail I showed him from geeky kids in far off Poland and Kentucky. The label guy would maybe throw him a few bucks to get rid of him lurking around the storefront, and Will might even pilfer a couple 7″s on his way out to sell somewhere else. But Will was a beatnik poet, and really just a guy from Gilroy, and he died soon after of an OD…

 


 

Lil' Mike reads about Will Shatter's death
me on day will shatter’s death hit the news

The Flippant Men Who Make The, Uh, I Guess You’d Call It “Music”

Steve DePace is the entrepreneurial mercenary and life force trying to preserve the band’s legacy, Ted is more chill, a laconic Vietnam Vet,  frazzled and still the easiest to be around to this day. I think Will was the sweetest of the bunch, while Bruce, now put out to pasture, was obviously the most mischievous, which is kinda cute when you’re young, less so as you creep into middle age.

When Flipper Kinda Lost Its Way In The World … 

By the early 90’s Bruce’s drug taking manifested itself beyond pranks into petty feuds and worse, he became such a jerk, that after Will died, he was actually caught climbing through the ceiling vents of his own indie label warehouse to steal his own master tapes. It was all part of a coked up cash-in ploy and they sold the reels to Rick Rubin and Henry Rollins for chump change.

Bruce from Flipper on stage holding the mic at The 1994 Making Waves Festival May 27th 1994
Bruce “Loose” Calderwood on stage 1994

Selling the tapes got a cash infusion, but sorta proved to be a stupid move, as not only did they burn the true foundational business bridge to their past glories, as soon they took the new money from Rubin, (an amount that barely woulda bought a decent new van), all the early Flipper tapes & LPs were soon out of print. Most of their legacy material was basically lost to the netherworlds of corporate negligence…  They put out one new record on a major label in 1993 that stiffed, and I think Steve DePace had to sue to buy back their own music from Sony or whomever ended up owned and kept it dormant for well over a decade into the 21st century long after iTunes and eMusic downloads were already in decline.

Flipper mighta been a buncha drug ravaged idiots, but they were also brutally inspired artists without fear who made a definite caustic sonic mark on the rock music world. Really a band with no apologies, and a legacy of noise that still always makes me smile despite actually knowing the muther fuckers. Original singer Bruce “loose” Calderwood is a more than half crazy old mountain man misanthrope, constantly complaining online about his back, lashing out in recriminating rants while David Yow of Jesus Lizard cavorts the globe singing the songs Bruce made famous, much to Bruce’s chagrin and anger.

They were one of the great band’s of the early 80’s post-punk scene, and the only thing that held them back was everything. especially their own dysfunctionality. I consider them America’s nasty little answer to the pomp & circumspect Public Image Limited., but with much more sincerity, true grit and heart. They made dark deep wounding records that still stand the test of time, and their songs churn away in the background like psychic sewer dweller anthems. As Krist Novoselic of Nirvana has said of the band he briefly joined “Their music drew me into a universe where bleak was beautiful. I realized the work was as heavy and transcendent as anything in the rock echelon. Mainstream convention was shattered. Flipper were too weird and dangerous for the world. And if the world didn’t get it, that was just another loss for humanity. “

Apparently the world as another chance to catch on. Steve DePace mentioned to me in April when I inquired about the band’s 40th anniversary tour, and working on a documentary of their career “The time is right! I am going to get it all done over the next year or two! We will be rebuilding and relaunching the brand and the band in a big way. Lots of shows and many other things…”


Footnote: San Francisco music scribe and rock fan boy geek extraordinaire Dave Pehling has spoken to Steve DePace and recounted their conversation at great length recently and covers a lot of fishstory in a recent post at CBS Local here : https://sanfrancisco.cbslocal.com/2019/07/10/cbs-sf-flipper-drummer-steve-depace-interview-punk


Derv Gordon Comes Back To Demand Equal Time

Joining the 2019 Burger Boogaloo onstage revue was Derv Gordon, the Septuagenarian original singer of London based swinging sixties two tone rockers The Equals. He is amused that an obscure novelty single he had long disregarded called “Michael and The Slipper Tree” still gets requests.

Here is Derv performing The Equals biggest hit, one that was atop the music pop charts in several countries in 1968. It was number 1 in the UK, Belgium and South Africa, and top ten across the rest of Europe and Canada, and hit the top 40 in the US.

Like fellow UK rockers of the same era, the Small Faces, the Equals also never toured the USA in their prime and many fans were excited to hear of a chance to catch some of the seminal sixties band’s under appreciated psychedelic pop rock live on stage.

With the original lineup spread asunder and after decades of bitter business dealings etc, they were not on “the best of terms”, so the Equals original vocalist has found musicians from the East Bay based band So What to back him up and they do a damned good job. Guitarist Jason Duncan is such an Equals aficionado that in the course of collecting their records, and then working on a book about the ground breaking band, he became part of the story after awhile. He began a correspondence as a fan with singer Derv Gordon that eventually evolved into a full fledged and interestingly fruitful musical partnership.

The first Derv Gordon / So What show was his US debut back in January 2017, and then 68 years old, Derv fought off a bad flu, and delivered a steamy set of sixties faves to a sold out crowd in San Francisco at the old Elbo Room. Since then they’ve developed a unique punchy foot stompin’ sound that harkens back to the Equals but with a truly hard glam & punk flavored edge. The group have now done shows on the East Coast and in Europe since then, and tightened their set up a lot too.

It is truly great to be able to see an original member of one of the most amazing, yet under rated groups of their time play songs that have laid dormant in the dustbins for decades. The Equals were one of the few multi-racial rock bands anywhere, much less in London, and were putting out records in 1965 on the President label. Derv was the lead-vocalist and his twin brother Lincoln played the bass, while Eddy Grant was the guitarist and main songwriter.  If you’ve never heard of them, you owe it to yourself to check out their back catalog from the 60’s that was ahead of its time, as it combines psychedelic soul, with an early glam rock edge and of course a Caribbean rhythmic influence too.

Gray Matter – We Will Rock You

Geoff Turner, Mark Haggerty, Dante Ferrando, and Steve Niles unloaded a rawkin’ one buried in the WGNS vaults for decades.

Yes, just in time for the Oscar winning movie to confuse people that missed Queen the first time around, now Gray Matter creates further Gray areas. This time it’s with a punky revamp of Queen’s “We Will Rock You”, a demo was recorded at WGNS when Grey Matter were rehearsing it to play at a benefit concert in DC and then shelved for decades…

Head over to http://SteveNiles.net to get your free MP3 version…

#GrayMatter #Dischord #DCHardcore #QueenTribute

Gray Matter Unreleased DCHC Queen Tribute Track

Captured By Robots vs Human Garbage

Volunteer Human Garbage Elijah Post was selected to battle the Drumbot of Captured By Robots at Great American Music Hall on Halloween Night 2018.

It was an epic challenge of man vs metal machine muzak…watch what went down

More Videos From Our Vast & Unwieldy Archives Below