Category Archives: Hard Rock

Redd Kross On Tour With The Melvins & Getting Uglier Every Day

Redd Kross have just embarked on their longest US tour in over twenty years, no longer teen babes from Monsanto, they are fully grown rock gods, that have receding hairlines, mortgages and even kids’ tuition to take care of. This makes imperative, insane and impressive the challenge of delivering punky precision blasts of gargantuan glammy guitar goo all over the place every night ever the more magnificent a mission amidst a missing “music industry”.

Steve & Jeff MacDonald, along with Jason Shapiro and Dale Crover are the latest incarnation of Redd Kross seen here on their 10 week fall 2019 US tour. When the boys hit the Cornerstone in Berkeley CA to a sold out crowd , with merch man and cartoonist Brian Walsby watching from the wings, the set list careened into this topical tune featured on their 2012 comeback album “Researching The Blues”. The band are currently promoting the followup to their last album with the 2019 release on Merge Records of a full length called “Behind The Door”

I shot just this hastily edited two camera bootleg video from high above it all in the balcony as the nightclub lackeys tried to thwart me at every step of the way, and eventually shut me down long before The Melvins took the stage. Ironically the Melvins are a band I used to have the home phone numbers of, and even help get gigs over 30 years ago.

Fun Fact : Dale Crover and I were both long haired hippie rock fans employed as extras in Oliver Stone’s Doors bio pic in the early 90’s, but I’m the only one of us that got screen time as I agreed to appear nude leaping over a bonfire…Dale hung with the Nancy Hayes extras talent agency long enough to be cast as a spit swapping young flannel flying Neil Young substitute in a convertible in Neil’s Harvest Moon comeback music video, and eventually get even more famous for turning down the drummer gig in Nirvana. I just faded rapidly into obscurity and became a barely employable blogger and bootleg video director chased by bouncer’s around craft brew bars in Berkeley… c’est la vie.

Interpreting the Masters: Ain’t Talkin’ Bout Love

In Case You Missed It : Inara George (who happens to be the daughter of infamous and late Little Feat founder Lowell George) is the vocalist at the mic and multi-instrumentalist Greg Kurstin (formerly of Geggy Tah and record producer of too many top selling acts to mention) backs her up, and they’re known as The Bird & The Bee.

Previously they played a tongue in chic tribute to Hall & Oates, but this year its the Diamond Dave era of Van Halen with their album Interpreting the Masters Volume 2: A Tribute to Van Halen on No Expectations/Release Me Records.

To get the LP launch just the right amount of hype, man about just about every town, Dave “That Fkn Guy” Grohl showed up to pound the drums on the late night TV circuit where the duo performed “Ain’t Talkin’ Bout Love” in a highly dramatic fashion for James Corden’s show on CBS.

Apparently the group first became fascinated with the idea of doing old Van Halen songs after seeing one of their 2007 reunion tour shows, and had even approached David Lee Roth about being in the video for their tribute song “Diamond Dave”. While Roth politely demured, he was apparently nice enough to send an autographed photo and a yellow top hat he’d worn onstage to Inara, yet she persisted…and thus the entire tribute album to the greatest rock band either Bird or The Bee has ever loved.

For the entire month of August, Inara is touring (sans Greg) with the tour culminating in a San Francisco performance on August 30th at Rickshaw Stop with Aaron Axelson of Alt-105.3 as DJ.

Supporting Inara as opening acts and also playing as her band, will be Alex Lilly and Samantha Sidley. as well as Barbara Gruska on drums, and Vikram Devasthali playing on guitar and trombone. Apparently, not content to sit idle, Inara will also be taking on singing duties in the opening acts, as well. See all dates posted below and you can sign up for the band’s mailing list HERE.

Ain't Talking Bout Van Halen, It's The Bird & The Bee 2019 Tour

The Bird and the Bee on the web : Website | Facebook | Twitter | Instagram | YouTube | Spotify

August 2019 Tour Dates

08/02/19 – Los Angeles, CA @ John Anson Ford Theater # – TICKETS

08/11/19 – St. Paul, MN @ Turf Club * –TICKETS

08/12/19 – Chicago, IL @ Sleeping Village * – TICKETS

08/13/19 – Cleveland, OH @ Beachland Tavern * –TICKETS

08/14/19 – Pittsburgh, PA @ Mr. Smalls Theatre * – TICKETS

08/15/19 – Providence, RI @ Columbus Theatre * – TICKETS

08/16/19 – Philadelphia, PA @ World Cafe Live * – TICKETS

08/17/19 – Brooklyn, NY @ Elsewhere * –TICKETS

08/19/19 – Rehoboth Beach, DE @ Dogfish Head Brewing * – TICKETS

08/20/19 – Carrboro, NC @ Cat’s Cradle * – TICKETS

08/21/19 – Atlanta, GA @ Aisle 5 * – TICKETS

08/22/19 – Birmingham, AL @ The Saturn * – TICKETS

08/24/19 – Dallas, TX @ Trees * – TICKETS

08/25/19 – Austin, TX @ Parish * – TICKETS

08/28/19 – Phoenix, AZ @ Crescent Ballroom * – TICKETS

08/29/19 – San Diego, CA  @ Casbah * – TICKETS

08/30/19 – San Francisco, CA @ Rickshaw Stop * ^ – TICKETS

Shaking The Nun With Stinky’s Peep Show Go-Go Dancers At The Fillmore

Gary Floyd’s Black Kali Ma band shot live at the Fillmore in San Francisco joined onstage by the large and lovely Stinky’s Peep Show Go-Go Dancers.

Black Kali Ma was a hard rock band fronted by singer Gary Floyd and at the time of this recording consisted of drummer Bruce Ducheneaux (BOMB, Assassins Of God), bassist JT Antonopoulos (RHYTHM PIGS), and guitarists Matt Margolin (SMOKIN’ RHYTHM PRAWNS), and Danny Roman (SISTER DOUBLE HAPPINESS, THE GARY FLOYD BAND). The hard rocking San Francisco based group, which originally featured ex-Sister Double Happiness bassist Miles Montalbano was formed to build upon the bluesy punk spirit of Floyd’s previous bands and Jello Biafra released their album “You Ride the Pony, I’ll Be the Bunny” on his Alternative Tentacles label in 2000.

Big voiced and big bear-like frontman Gary Floyd first emerged with seminal Austin, TX “commie-fag” band the Dicks in 1980 who later relocated to San Francisco. After the 80’s hardcore scene grew tiresome, Gary resurfaced in Sister Double Happiness, a San Francisco band with a solid, bluesy roots rock sound built around Gary’s passionate emotive vocals and perhaps the first band to create rock music peppered by lyrics influenced by the AIDS epidemic. At the height of their post punk buzz and after their first album came out on SST Gary quit the group and pursued what he calls a “spiritual journey.” While he was studying Hindu deities and considering joining a monastery, but soon major label A&R came sniffing around, Gary reformed the group and dismissed the prospects of a monk like life. He told SF weekly in 1999 “I figured if I joined a monastery I’d probably end up being a pretty bad monk. Miserable me, you know, fucking fag sitting around a monastery pissed off at everyone.” With his group signed to a major label at the crux of the rise of “Alternative rock”, they were on the road opening shows for Nirvana and the future looked bright. Despite promising press coverage, it became clear their reputation as a live band far surpassed their album sales, and after touring the US and Europe multiple times with multiple bassists and releasing albums on a slew of labels, including the aforementioned SST, as well as Warner Brothers, Dutch East India they hung it up as a unit.

Gary continued writing and performing music, doing several solo albums as a blues singer, many of the tunes of which he still does to this day. His life story is told in his published memoir Please Bee Nice,My Life Up ‘Til Now: A Gary Floyd Memoir
now available at this link: evnt.bz/BeeNice

Click his name for links to past performances by , as I’ve been documenting shows by this gentleman for decades and likely have one of the largest repositories of his live music videos to be seen anywhere. You’ll catch videos of him performing in combos such as The Dicks, Sister Double Happiness, and his most recent group The Buddha Brothers.

Osgood Slaughter – Weirdo On Your Block Locked In The Cellar (RIP Bruno Bersani)

Here are two songs featured on the original Osgood Slaughter cassette demo that was recorded with Jonathan Burnside at Razor’s Edge on Divisidero St in 1987, but recreated live in 2017 on stage some 30 years later.

One deals with parenting the late great Bruno Bersani way… Our hero recounts how he left the whiskey soaked bar crawls of SF’s side streets to raise a child, and how that demon had to be tamed. The second is about the “Weirdo On The Block” another concern of the young Bruno Bersani, and of which he undoubtedly feared he’d become…

These songs were recorded live at The Bottom Of The Hill October 14th 2017 at the band’s last known performance of tunes that originally surfaced on the 1987 Osgood Slaughter demo. The original studio versions are available at Bandcamp and one is embedded below for your streaming or downloading pleasure, as archived via the “ChewyMarzolo1” Bandcamp page, a treasure trove of indie music you likely ain’t heard.

Oh are you still here? … well then you get the ULTIMATE REWARD! This is a rarely seen clip of Bruno Bersani’s 1984 oddball electro pop group’s only video that aired on an Oregon cable access show… here’s a story about Bruno’s Moose Lodge cribbed from the panicon13th blog where I found it

The song comes from “a demo of amazing synth punk. Hilarious lyrics and a band that can really play. Years after this came out, John O’Neil told me he’d hung out with lead singer Bruno while he smashed copies of the tape in his garage with a hammer. Too bad, because there weren’t many to go around, my copy was #86 of 100. I only got to see them play once, it was at a high school dance where they had the plug pulled on them after 10 minutes. “It appears that we’re done for the evening…” Bruno said, barely started on his two liter bottle of wine cooler sitting prominently on his synth before a room of teenagers. “

Psst: Download 13 songs from Bruno’s Moose Lodge band demos here … http://panicon13th.blogspot.com/2011/07/moose-lodge-new-world-babies-cassette.html

Osgood Slaughter – “Live Like An Animal, Die Like A Vegetable!”

Here is footage of the SF based heavy comic rockers Osgood Slaughter performing a rock oddity about “Fruit Bats!” in the unlikely locale of a Guam public park circa 1989.

As I post this I just got word that Osgood Slaughter’s vocalist Bruno Bersani has left this earthly realm and I send condolences to his extended family and many friends. I was never tight with the guy, but always in awe of his gruff persona, and expecting a laugh. As my pal Dave Pehing wrote after his recent passing of his larger than life stage presence “Bruno was a brilliantly weird and compelling character onstage. ”

Bruno’s most memorable lyric in my opinion was the guttural chorus “Live like an animal, die like a vegetable!” and will I try to edit a clip of him performing that song at the band’s farewell reunion show for drummer Chewy Marzolo’s 50th birthday in 2017. In the meantime enjoy this one from the wayback machine…

Osgood Slaughter was a loud, enigmatic and unavoidably omnipresent force in the dark dingy maze of hedonist hell-hole nightclubs that were San Francisco’s rock scene for a few years in the tale end of the late 80’s through early 90’s. Osgood Slaughter were a confusing comedic combo, somewhat akin to a Northern California alternative to LA band Pygmy Love Circus in some ways, with a caustic and bizarre biting sense of Zappa-esque humor mixed with thrash metal proficiency. They were too weird for the metal crowd, being more bike messenger than biker gang, and not sad or serious enough for the indie rock effete elite, so Osgood Slaughter stomped, wailed and terrorized military bases, bars & backyard bar bq’s alike in search of fame and fortune on both US coasts, and even the South Pacific before disbanding and splintering off circa 1993.

When i first moved to San Francisco, this band soon hit my radar as more persistent than popular, but always active on the underground, and had revolving lineups featuring guitar work from a couple of my earliest punk guitar god pals, such as John Cobbett (of Malefice, Gwar and later Ludicra/Hammers of Misfortune) and one of the guitarists featured in the video posted here Barry D’live (known for touring ax man stints in Gwar and Me First & the Gimme Gimmes, several albums with RKL, and now playing with MDC).

The embedded Osgood Slaughter track “Time To Be A Transient” features the John Cobbett era lineup circa 1990 and is from their Take This All Of You, And Eat It album available on Bandcamp if you can’t find yr crusty old CD copy like me. If you delve into Chewy Marzolo’s overflowing bandcamp, you will find many more Osgood outtakes, unreleased would be albums, and side projects from the members.

Gray Matter – We Will Rock You

Geoff Turner, Mark Haggerty, Dante Ferrando, and Steve Niles unloaded a rawkin’ one buried in the WGNS vaults for decades.

Yes, just in time for the Oscar winning movie to confuse people that missed Queen the first time around, now Gray Matter creates further Gray areas. This time it’s with a punky revamp of Queen’s “We Will Rock You”, a demo was recorded at WGNS when Grey Matter were rehearsing it to play at a benefit concert in DC and then shelved for decades…

Head over to http://SteveNiles.net to get your free MP3 version…

#GrayMatter #Dischord #DCHardcore #QueenTribute

Gray Matter Unreleased DCHC Queen Tribute Track

Giuda – Comin’ Back To You

The Crowd Pleasin’ Kitsch Heavy Glam Rock Of Italian Band Giuda Never Fails To Entertain. Here They Are At A Packed Show I Shot At The Bottom Of The Hill in San Francisco

The main two members of Giuda are the songwriters Lorenzo (guitarist) and Tenda (lead vocalist) who have known each other since they were toddlers and were also in a band called Taxi for ten years in Rome before Giuda put out their first album in 2010. That debut album, “Racy Roller” , was described as “Cock Sparrer twinned with the Equals” and features the studio version of this song in the video I just cobbled together. Giuda music is available as purchasable actual vinyl artifacts or even streamable through all the evil innernetted outlets in the universe.

I first caught a glimpsr of Giuda by chance in a packed Thee Parkside circa summer 2016, when I was there to catch the Briefs.

It was hot and sweaty and equipent wise and position was ill equipped for the frenzy, late to hit the thick sweaty pit and get appropriate images of their act down for posterity. When Giuda came back to the Bottom of the Hill a year later in the fall of 2017, I made sure to spread a few cameras around, and try to trap a little of the glory. Unfortunately batteries started fading during opening sets by Buster Shuffle Official and So What and then Giuda’s road manager ixnayed me placing a camera up on the stage where I could get the prime view…

By the time the mighty power pop professionals of Giuda came downstairs and popped onto the stage to deliver their 70’s style schtick like the equivalent of a Sardinian Slade tribute or a Sweet & Cheap Trick influenced Italian suedehed band, I was down in the pit up front clutching an iPhone 6, a bootleg Go Pro knock-off and a lo-rez outdated Zoom Q3 I had found in the garbage a year earlier. (All 3 devices are since either fried, dead and buried or lost).

Pinched by the front of the stage, behind a floor wedge, whilst getting elbowed by a still photographer with a big pro looking lens and constantly getting banged into by moonstompers from behind, I hoped for the best. I made a go of capturing some shaky lo-fi video shots while trying to avoid concrete poles and flying drinks, and hopefully getting some not altogether too overloaded and muffled audio.

It took about 8+ hours to edit and render this puppy while home sick one day, much of it spent on trying to EQ and balance the audio so you could at least hear a semblance of vocals over the boomin’ bass amp I was right in front of. 


I’ve now watched it at least once and it seems pretty rockin’, capturing the goonish cartoonish style of these swarthy saviours of the lost sounds of the 70’s, that they’ve remade into a catchy 21st century glam punk hybrid. Enjoy

Screaming Females – Ripe (5 Camera Live Video)

5 Camera video clip I edited of Marissa, Jarrett and King Mike of Brunswick New Jersey’s tophard rock touring export The Screaming Females . This video shot live on their 2018 “All At Once” tour show at Rickshaw Stop in San Francisco

Original Version of “RIPE” From the album Rose Mountain on Don Giovanni Records
Download on iTunes: http://smarturl.it/RoseMtiTunes

Label : http://dongiovannirecords.com/

The Gits – Absynthe

The Gits – Absynthe

Beloved and feisty Seattle band whose path to punk rock glory was cut tragically short…

Here they are performing in a rare clip of a show I shot at the Covered Wagon Saloon in San Francisco in February 1993.

Genitorturers – Devil In A Bottle

Here’s a clip of the infamous Florida Freak Show known as The @Genitorturers – caught doing their classic song “Devil In A Bottle” that I shot live in Berkeley at @TheUCTheatre while the band were on the 2019 #PrettyInKink Tour

Depraved Rock n Roll from FLA finally makes its way after XXX years to the Taube Family UC Theatre in Berkeley CA. The original studio version of this track was featured on the 2009 album “Blackheart Revolution”.


Oh, yeah! Well, I said I was a sinner, baby

Said I was alone

Saw the walls come-a crashing down

I’m goin’ out with a devil in a bottle, Devil in a bottle yeah (ooh yeah!)

@LilMikeSF Media Maker Myriorama