a video shot at summer of 2020 protests featuring a song from the Shotwell Dead Bats CD
lilmikesf
Sad news came down the punk rock pipe yet again lasterday when I got word…
Troubadour Dwight Twilley made a rare live appearance out west and told stories from his Shelter Records heyday in the 70’s working with Leon Russell and Tom Petty
Beyond The Health Care Implications Of The COVID-19 Viral Scare Is That Many People Have Been Locked Out Of Their Income, Left Without A Means To Pay Bills, My Friends At The Beloved SF Venue The MakeOut Room Are Amongst Hundreds Of Millions In This Boat…
Matthew Stoller without vigilance to restrain disaster capitalists and sweeping authoritarian leadership, life after this pandemic, may see us reemerge from quarantine into a strangled semblance of our former society with a lot less freedom.
Khaela Maricich’s creative work as “The Blow” somehow exists in the fringe balsam glade of performance art that pivots and pirouettes between the intersection of “spoken word”, “indie rock” and “dance music”. As she notes in “The Woman You Want Her To Be”
Around back is the VIP entrance
it’s invite only and many resent this
they swear
their name must be on the list
They wanna get in get in get in get in…
On their 25th Anniversary Tour Japanese Metal band CHURCH OF MISERY brought their eardrum rattling sonic doom to San Francisco’s Bottom Of The Hill and we brought our cameras into the pit
Experience The 21st Century Left Coast Jazz Renaissance Via The BeMusical Lakehouse Jazz Sessions in SF
Rarely seen documentary footage and interviews tell the story of the Miami Floridians an ABA Basketball Team of the late 60’s and early 1970’s
Ruby Ray photographed confrontational artists like Devo, William S Burroughs, Crime, Nico, The Avengers and Z’ev at the nexus of punk & industrial subcultures for Search & Destroy magazine in late 70’s and early 80’s San Francisco. Her photos are a vivid documentation of decades past that still seem as vital and necessary today
