All posts by lilmikesf

Starcrawler 2019 Fall Tour

Arrow de Wilde
Arrow de Wilde of Starcrawler (live shot by @LilMikeSF)

A wild throwback to shades of the seedy 70’s Sunset Strip nights at Rodney’s English Disco, or teetering down the steep stairs to find whatever awaited in CBGB ’s toilets, Starcrawler are actually a vehicle for frenetic millennial LA wunderkinds seemingly born decades too late to make those scenes.

The band, comprised of  Henri Cash gtr, bassist Tim Franco, and  Austin Smith on drums started out as raw amateurs just practicing Runaways’ covers, and have evolved into their own show biz phenomenon, fronted by the fearless gangly nymphette Arrow de Wilde on vox. Their sound and stage presence has built a solid following on the road supporting bands such as the MC5 and Spoon.

I caught one of the opening nights of their fall 2019 tour in San Francisco and Starcrawler’s musicians presented an impressive sonic spectacle, caustically cool, crunchy, captivating and a perfect foil for the caterwauling of frontperson Arrow deWilde. While deWilde’s antics at the mic stand, and mostly on the floor between songs are what draw eyeballs, do not discount the pulsating precision rhythm section that drives the throbbing sound, or the slashing guitar and vocal support of Monsieur Cash in his green satin suit looking reminiscent of something Gram Parsons might’ve left behind

Starcrawler have released their Nick Launay produced sophomore album “Devour You” on Rough Trade and are hitting the clubs across the USA to earn more cash and converts as they establish themselves as a vibrant exponent of 21st century hypnotic rock n roll abandon. The first single to the new album has a video directed by the enigmatic Jellyclaw called “Bet My Brains” inspired by subterranean urban dwellers both real and imagined.

Says singer Arrow de Wilde “that song came from thinking about the tunnel people in New York and Vegas and the Catacombs in France, and the underground village of people who live in the sewers of the L.A. River. I was fascinated with the fact that there is a whole other world happening right under our feet.” Guitarist and vocalist Henri Cash adds: “Arrow and I hadn’t even talked about it yet, but I’d already written something about the same thing—about how these people’s eyes adapt to pitch-blackness, and they end up going crazy from never seeing the sunlight.”

Arrow promises “We want to put on a real show and give people some kind of escape from all the shit going on in the world,” she says.

The band make several west coast stops in the wake of their Bottom Of The Hill performance in San Francisco on October 5th, and will play two Third Man Records Halloween shows in different cities, and make it as far north as Montreal. See the complete show date list below to find a fall 2019 show near you, and click the link get your tix before they’re all gone HERE.

Starcrawler - photo by Arrow's mother Autumn de Wilde
Starcrawler – official band photo by Arrow’s mother Autumn de Wilde
Starcrawler tour dates
10/4/19 – San Diego, CA – The Irenic
10/5/19 – San Francisco, CA – Bottom of the Hill
10/7/19 – Portland, OR – Mississippi Studios
10/8/19 – Vancouver, BC – Fortune Sound Club
10/9/19 – Seattle, WA – The Crocodile
10/11/19 – Salt Lake City, UT – Urban Lounge
10/12/19 – Denver, CO – Lost Lake Lounge
10/14/19 – Kansas City, MO – The Riot Room
10/15/19 – Omaha, NE – Reverb Lounge
10/16/19 – Saint Paul, MN – Turf Club
10/17/19 – Chicago IL – Lincoln Hall
10/19/19 – Toronto, ON – Horseshoe Tavern
10/22/19 – Montreal – Bar Le Rtiz PDB
10/23/19 – Somerville, MA – ONCE Ballroom
10/25/19 – Brooklyn, NY – Music Hall of Williamsburg
10/26/19 – Philadelphia, PA – Boot & Saddle
10/27/19 – Washington, DC – Pie Shop
10/28/19 – Pittsburgh, PA – Club Café
10/30/19 – Detroit, MI – Hell Night @Third Man Records
10/31/19 – Nashville, TN – Halloween @Third Man Records
11/1/19 – Atlanta, GA – Aisle 5
11/2/19 – New Orleans, LA – Gasa Gasa
11/5/19 – Austin, TX – Barracuda
11/8/19 – Phoenix, AZ – Valley Bar
11/9/19 – Los Angeles, CA – The Fonda Theatre
Find Starcrawler here : Official Facebook / Instagram Twitter

Dave Dictor tells of discovering punk in late 70s at Raul’s in Austin TX

Jennifer Joseph, Publisher of Manic D Press introduces Dave Dictor at his first ever book store appearance to promote MDC: Memoir from a Damaged Civilization: Stories of Punk, Fear, and Redemption, co-presented by 924 Gilman St Project. The punk singer and now author candidly talks about finding Raul’s club in Austin Tx in the late 1970’s and how it lead him to release the “John Wayne Was A Nazi” single, and begin a multi decade global odyssey of politically charged punk rock.

More excerpts from this talk forthcoming, subscribe for more. To learn more about Dave Dictor see his new website http://DaveDictor.com

To get Dave Dictor’s autobiography, request at your local bookseller or try this online link : http://amzn.to/29grKPh

Overall Dave’s book would be interesting to anyone interested in the behind the scenes history of D.I.Y. punk, with Dave’s personal path also being a parallel tale of a subculture, where punk music is not merely a fashion, or memorialized like a long gone artifact, but is treated as a living breathing movement.

Dictor’s book holds anecdotes and adventures as told through the eyes of a world weary Woody Guthrie-esque citizen soldier who has taken his lumps, learned lessons, and is still inspired to travel the road less traveled, and make a glorious din whenever and wherever he still can.

The die hard punk rock world MDC traverses is not that of the corporate sponsored festivals and action sports soundtracks, but one of more idealistic people powered shows, grass roots political benefits and the loosely connected friends and fellow travelers motivated not merely by money, but by a need to help each other network and navigate from town to town, nightclub to VFW Hall.

Dave Dictor’s view from the stage has included thousands at large sports halls and theaters, but more often than not was maybe a gig put on in a basement, squat or a community center, much like it was back when he first started touring in the early 1980’s.

Conveniently I scored my copy of Dave Dictor’s book at a reading he was doing at a local bookstore in Berkeley CA, and the audience there was rapt with attention as Dave regaled us with numerous stories of his 3 decades plus journey through American Hardcore Punk’s early days. Dave’s tales start even before that era, back in the late 60’s, when he was already becoming an iconoclastic teenager, dealing pot with the aide of a friend’s mom, bending gender & norms, and seeking out a vegetarian diet in an age when the only two people he’d heard of who’d existed like that were Hitler & Gandhi. Fortunately for us, Dave abandons his wannabe teen hippie persona behind on Long Island, and eventually hits Austin Texas just as Raul’s was starting to put on punk shows, where bands like The Big Boys and The Dicks were also forming, creating a feisty brand of Texan hardcore unlike the somewhat more macho & commercial flavors available in the more urbane coastal cities.

John Wayne Was A Nazi
Dave Dictor released the “John Wayne Was a Nazi” single in 1979, his band The Stains later changed their name to MDC

In the book you’ll read of Dave leaving his seventies singer songwriter stylings behind to and eventually hit the West Coast full throttle as a punk rock pioneer living to the pulsebeat of politically aware subculture, subsisting through squatting and D.I.Y. touring, living out of vans, eating at soup kitchens and deftly dodging police and skinhead violence whenever possible. The book has tales of many shows including an early 90’s run behind the Iron Curtain, where border guards and paper work pose problems, and Russian promoters threaten to pull the plug on the tour if the band doesn’t come up with $5000 dollars overnight. You’ll learn about his friends and family, like his long time drummer Al who Dave met as a fellow Monkees fan in the 60’s, to both of ’em doing separate stints of prison time in the 1990’s.

As a memoir, and much like a friend telling a meandering adventure that no one is sure where it ends, the storyline occasionally drifts back and forth through time. Dave has met many thousands of people and magnanimously, many names are dropped briefly, while exact event details might get glossed over. Over 30 years of touring means some great stories got left out, while some chronological anachronisms occasionally appear, such as when he mentions a gig with Husker Du, where Dave relates feeling “like Prince was gonna show up, mount the stage” at First Avenue in Minneapolis “and do a few bars of Purple Rain” even though the MDC show referenced was back in 1982, and Prince was still several years away from creating that iconic cinematic moment.

Enjoy the vicarious rambling ride through these pages, Dave sure has, and one gets the feeling if some medical setbacks hadn’t sidelined him momentarily a few years ago so he’d have time to share these tales in print, most of these stories would’ve gone untold. Dictor had a serious health crisis and spiritual awakening just before penning the manuscript and feels lucky to be alive to still share his happiness and life story.

One criticism I heard of the book is that, despite conflicts and complications in a long career, this MDC book itself is not full of “dirt” and that Dave doesn’t talk hella sh/t about anyone. That is just the type of person he he is, and the author courageously, if not naively, still strives to find the positive side to everyone and everything. While allusions are made to occasional nefarious conduct by bit players in the book, Dave moves on rather than dwell on the painful parts. It is perhaps good advice for all of us. As he mentions near the end of the book on page 180, freshly leaving the hospital he almost died in, he tells a cab driver “From now on, only love will come from my mouth and be on my breath”.

Video was made at Dave Dictor’s first ever bookstore reading , the Mosh Lit release celebration for MDC: Memoir from a Damaged Civilization: Stories of Punk, Fear, and Redemption held at Pegasus Books in Berkeley CA May 25th 2016.

For over an hour, the author gave us all an informal, humorous, but deeply reflective overview of his multi decade journey through punk, as well as familial anecdotes, and life lessons. The tales dated as far back as his first cross dressing session with a 4 year old playmate to opinions on the 2016 Presidential campaign and the origins of his recently revived 40 year old slogan “No War , No KKK, No Fascist USA“.

The Mekons Find It Hard To Be Human Again, How Many Stars?

Got to see the mighty Mekons the other night at the The Chapel in San Francisco. w/ Skokie Girls..

The two sequential songs from the sold out show in this first black & white edited video below date back to the 1988 “So Good It Hurts” album which was a sorta joint release twixt Twin/Tone and A & M labels and the second tune is from 1985’s “Fear & Whiskey” LP originally released on Sophie Bourbon’s SIN RECORDS label.

I believe the Mekons were the very first band I ever snuck in with a fake ID as an underage teenage runaway and saw at the I-Beam in San Francisco circa May 1987… In some ways, not much as changed, which is awesome and terrifying, most of the original band members I know and love are still onstage and accounted for, and sadly the world is still a greedy, stupid, venal, hostile, politically painful place in need of a good poetically poignant Mekons musical vivisecting.

However, instead of vile Tory Maggie Thatcher to rant about, there is this Boris Johnson dude…whatever. It is all the same… and most of us are aging, and if not gracefully, at least some of us had the good graces to show up for the show, at least far more paying customers than were there in 1987.

This video has slightly improved sound dynamics over a version I placed on Instagram, so rejoice in the additional camera angles and sonics here from two Mekons faves. Rumor has it Mr Langford will be back this fall as part of the Hardly Strictly Bluegrass thang and, uh, he is bringing an entire two dozen member Welsh Boys Choir… you have been warned.

Here is a 360 degree video clip for the song “Thee Olde Trip To Jerusalem” (available on The Mekons album “Out Of Our Heads” and also featured in the Cd included in the 200 page book “United” that was released in 1996 via the Touch & Go affiliate label Quarterstick)

The last video I’ve pasted in below is the last song from their set, a Mekons song from their latest album, recorded some 30 years fater the earlier tunes were released, and Rolling Stone scribe Will Hermes said of the song ““How Many Stars” takes the classic form of an English folk song about a man lost at sea, and woman who dies of a broken heart, the band wondering at the sheltering sky in raggedly sympathetic harmony. “

Hop Monk Cookout Concert with Chuck Prophet & Pals

Northern California music promoter KC Turner (blue shirt) poses with the musicians after a Cookout Concert at The HopMonk Tavern in Novato CA

For the past 6 years a cat named KC Turner has been presenting his outdoor cookout concert series up in Marin, and this year’s events have been as popular as ever. I attended one this past weekend featuring Chuck Prophet and The Sam Chase opening.

Just before the show, none other than Commander Cody guitar player Bill Kirchen, no slouch in the string slingin’ department, deemed  “The Titan of The Telecaster” by Guitar Player magazine, gave Chuck & Steph’s live set a ringing endorsement as one of “the most enjoyable R’n’ R shows” he’d ever seen.

Image

Here’s Chuck doing his song “Wish Me Luck” backed by his wife Stephanie Finch, drummer Vicente Rodriguez and bassist Steve Rue Adams (who is also in Animal Liberation Orchestra, and previously played with Chuck & Charlie Sexton doing a Rolling Stones’ Some Girls tribute tour in Spain circa 2018)

“Wish Me Luck’ is from Chuck Prophet’s album “Night Surfer” that was released in 2014 on Yep Roc Records

My life is an experiment

that doesn’t prove a thing


I wake up every morning

wondering

what the day will bring…


Then I throw open the windows
I fill up both my lungs
And I shout “Look out all you losers here I come”
So wish me luck
Even if you don’t mean it
Wish me luck
If it’s not too much to ask
Wish me luck
It’s not like I really need it
It just feels so good to hear it anyway

Now I’ve harvested your cannabis
Down the Yucatan
In fact I slept beside a Catholic priest one time
In Henry Rollins’ van

I’ve marched in your parades
And I’ve fought your late night wars
But in my father’s house there are no doors
So wish me luck
Even though I don’t need it
Wish me luck
If it’s not too much to ask

Wish me luck
It’s not like I really need it
It just feels so good to hear it anyway
Now watch me dance upon a wire
Watch me dangle from a string
Shining like a diamond in the sun
Shining like a diamond
Shining like a diamond
Shining like a diamond in the sun
Wish me luck
Even if you don’t mean it
Wish me luck
If it’s not too much to ask
Wish me luck
It’s not like I really need it
It just feels so good to hear it anyway
Come on now
How hard can it be?
Wish me luck
You can do it
Come on now

Songwriters: Chuck Prophet / Kurt Lipschutz / James Deprato

Wish Me Luck lyrics © Kingsblood Music, No Socks Music, Dipsongs

Class War Is In Session: Chip Kinman brings fresh kin to reconstitute The Dils

Chip Kinman live on stage in San Francisco 7 20 2019 at Bottom Of The Hill

It was a great thrill to catch Chip Kinman, his drum bashing son Giuliano Scarfo and their energetic hair whipping friend Brian Melendez on bass all rip through a set of Dils classics at a sold out Bottom Of The Hill in San Francisco for the fortieth anniversary of The Temple Beautiful. In this video Chip Kinman, now 63, mentions a recent cover version of his song “Class War” by Ty Segall and seeing the “younger set” get into the music has inspired him, before he plays it himself with his spritely new backing band.

Since the death of his brother Tony, with whom he co-founded The Dils in the late 1970’s, Chip’s finally seen fit to revisit the beloved band’s past punk rock glories and brought his son along to revive their fiery message laden music, that blended the best of power pop and the brashness of early punk.

The Dils, founded by brothers Chip & Tony Kinman arose first out of suburban Carlsbad, California in late 1976, and soon relocated to San Francisco, later moving to Los Angeles and even recording some of their seminal material in Vancouver CA. Their tight brotherly harmonies fed into fierce , fast tunes oft with fearless political stances, made them one of the preeminent punk bands up and down the West Coast. Use your cursor to navigate within the 360° video embedded below Chip Kinman recounts recording “Sound Of The Rain” in Vancouver with late drummer “Zippy Pinhead“, whose supportive father was in the Royal Canadian Mounted Police and wasn’t keen on lyrics about dead cops.

The brothers dropped The Dils name by 1981, and went through various incarnations over the years including Rank & File, Blackbird and Cowboy Nation, but never performed again as The Dils. Prior to this latest iteration, the last Dils gig was in 1980 at Blackie’s in Los Angeles (Black Flag opened the show.)

Here’s the whole Dils set from the show as shot from deep in the jostling joy that was the pit down by the floor wedge monitors at stage front by Gil Warguez on a trusty Sony MV-1 synched to the audio from one of my stray cams that caught a slight bit more vocal…

Roky Erickson Tribute “Goodbye Sweet Dreams”

There was a unique Roky Erickson Birthday Tribute earlier this week by several local musicians of note in San Francisco. GibbsMo emCee Parker Gibbs introduces Eric Moffatt’s JACKSHACK . This cover of Roky’s “Goodbye Sweet Dreams” was by the loose coalition known as JACKSHACK featuring Eric Moffatt on guitar & vocals, with Cindy Giuliani on bass, Ricky Wayne Garrett on drums, and Roman Yamilov on guitar.


Video is excerpted from footage I recorded at the recent Sad Bastard’s Club Roky Erickson Tribute Night held at The Make-Out Room in San Francisco July 15th 2019 … Eric Moffat insists on calling his rotating backup band JACKSHACK, and until he comes up with an even shittier name I guess I’ll let him. Personally I already suggested Chief Sour Mashantucket & His Pale White Jazz Hands but he wasn’t interested.

Ovarian Trolley Closes The Lost Door

Ovarian Trolley at the Lost Door

Video of Buck Bito and The Hall Sisters singing a beautifully bittersweet so long and farewell to a place and way of life that defined their youth along Islais Creek in SF. The song is called Cry Baby …

 

Sisters Laurie & Jennifer Hall musically meshed as dueling vocalists and rhythm section, with added dissonance contributed by guitarist Buck Bito were known as Ovarian Trolley.

Jennifer hall playing drums with Ovarian Trolley
Jennifer Hall Ovarian Trolley
Buck Bito & Laurie Hall

A 90’s era San Francisco based indie rock band, Ovarian Trolley released 3 full length CD albums, emerged from the ashes of their previous late 80’s combo Glorious Clitorious and recorded and toured from roughly 1992 thru 1998. This live video recording was made in September 8th 2018 at their a farewell show to their old San Francisco stomping grounds, a final gathering at Laurie’s Lost Door warehouse studio loft space on Islais Creek in San Francisco before eviction. The song was recorded some twenty years since they’d ostensibly ended their Ovarian Trolley musical project with Buck and moved on to other musical and creative pursuits.

here is a link to the most recent release by Jennifer and Laurie’s band Ruby Howl http://www.outofroundrecords.com/ruby-howl

RIP: Jerry Lawson of The Persuasions

Guess this news was off my radar last week, but I’ve just learned today that Jerome “Jerry” Lawson, the charming, but gritty voiced baritone singer and longtime frontman of The Persuasions, who recorded some two dozen albums with the vocal group over a 45 year span passed away at a hospice in Arizona on July 10th at age 75.

Jerry’s contributions to keeping the art of acapella singing alive were innumerable since that first Persuasions album arrived 50 years ago in 1969. His unlikely and long career includes being discovered by Frank Zappa singing to him over the phone, and then getting signed to the Straight/Bizarre label run by Zappa and Herb Cohen around the same time Alice Cooper and The GTO’s were also recording for the imprint. Soon The Persuasions were on the road opening for The Mothers Of Invention, and the first gig was in a segregated southern resort town… a place where none of the band members had ever dared go.

By 1971, now signed to Capitol, the Persuasions opened other shows for Zappa including The Mothers of Invention concerts at Carnegie Hall doing material found on their landmark break thru LP “We Came To Play”. Their sound was pure street vocal harmony, that combined elements of soul and gospel, but was not afraid of rock, in fact their repertoire included covers of songs by Lou Reed, Paul Simon and later even full acapella tribute albums to The Grateful Dead and The Beatles. Wrote future Persuasions’ album producer Rip Rense of the band in a 1986 profile for the LA Times, “They have Persuasioned everything from Bob Dylan’s “The Man in Me” to Sam Cooke’s “Good Times” to Curtis Mayfield’s “Man Oh Man.” The recording of “Papa Oom Mow Mow” heard in “E.T.” was theirs.

Of those early informal years in the 1960’s before they were recording records, Jerry Lawson recalled after moving to Brooklyn from Florida that “We’d get a crowd around us. Boy, that harmony was lovely. People would sit around, and get popcorn and Crackerjacks, and just listen to us. Sometimes we would sing until 3 o’clock in the morning,” he told music writer Jim Harrington of Bay Area News Group in 2011. “We had a crowd, and we were singing, man — even the police were all in the crowd,” Lawson told Chris Hansen of the Mesa Az Tribune in 2007. “A lady yells out, ‘Boy, y’all sound good!’ Then she said ‘If you don’t know what you’re singing, it’s called a cappella.’ So that was the beginning right there.”The Persuasions who began performing professionally after so called “Doo-Wop” records had peaked, never wanted to be known as an oldies group and instead referred to their unique sound as “contemporary a capella”.

Whether they planned it or not, by the early 1970’s, The Persuasions, whose career began a decade earlier as just a group of friends singing outside on the basketball courts and front stoops of Brooklyn, were almost single handedly keeping the youthful improvisational spirit of street corner “Doo Wop” alive yet via major label records and tours in a music industry that mostly favored “dance” records, and thought vocal groups were not worthy of airtime or promotion. Jerry was always interested in expanding the horizons of vocal music, not being boxed in, and stayed emphatic that The Persuasions not play any “Doo-Wop” oldies shows, and insisted that booking agents turn down all offers to perform or participate in any nostalgic “Doo Wop” revues.

By the 1970’s The Persuasions were putting out some two albums a year, some were great, memorable charting titles including 1972’s “Street Corner Symphony” with its stunning “Temptations Jam” medley, and the funky drums and electric piano arrangements on “More Than Before” that arrived via A M in 1974. By 1977 they’d moved on to Elektra, and fortunes waned and soon by the 80’s they were on indie labels like Rounder, but still over the years they soldiered on, and Lawson got to record and share stages with an array of artists ranging from Joni Mitchell to Ellen McIlwaine, Stevie Wonder to Rod Stewart, Garland Jeffreys to Ray Charles, Paul Pena to David Essex, Leon Redbone, Sheryl Crow and even Liza Minnelli.

Spike Lee featured Jerry and The Persuasions in a 1990 documentary film he put together called “Do It A Capella” where they told some of their group history.

After 40 years with the group, a tired, bitter and worn out Lawson walked away from The Persuasions in the early 2000’s. Jerry moved to Arizona, and thinking he’d given up acapella singing for good, listening to the Johnny Otis radio show on KPFA, he’d soon stumbled upon a Bay Area group called Talk Of The Town that re-inspired him and they joined forces. The group recorded an album, toured and found a niche and can be seen performing with Jerry here on a nationally televised NBC TV show in 2010.

It wasn’t until 2015 Lawson released his own debut solo album, Jerry Lawson “Just A Mortal Man”, on Nashville based Red Beet Records that includes contributions from Jim Lauderdale. The title is a nod to a 1973 song that was sung by one of his biggest influences, the late David Ruffin of The Temptations.

Here’s a video of Jerry rehearsing “Woman in White,” a song co-written by Lawson with Grateful Dead lyricist Robert Hunter for the solo album he recorded with producer Eric Brace at a studio in Chandler Arizona in 2015.

Over the years Lawson made some remarkable music and brought joy to hundreds of thousands of people in concert on the road or through recordings, radio and tv appearances. In 2017, his hometown of Apoka Florida honored him with a special street designation, “Jerry Lawson Way”.

Aside from the street naming, and his solo album release, one of the last accomplishments he was proud of was having his Persuasions’ recordings used in advertisements, like the sample of his voice on “I Know There’s Gonna Be (Good Times)” by Jamie XX that was used in a 2015 Apple I-Phone spot. Another was the Persuasions’ version of Curtis Mayfield’s “People Get Ready” that was chosen as soundtrack to a 2018 Winter Olympics promo spot that aired all over the country featuring young athletes preparing to head to the 2018 Winter Games in Pyeongchang South Korea. The ad was produced by 72andSunny, a Los Angeles based advertising agency

In the years prior to his death, Jerry was excited that a documentary film was in the works that would tell his life story. That film “Jerry Lawson – Just A Mortal Man” is as yet unreleased, but will tell the story as Jerry went from street corner singer, to internationally renowned recording artist, and into his later life, when after beating alcoholism, he was a renaissance man, who became a humble, yet proud counselor and caregiver to developmentally disabled adults he referred to as “his kids”. Lawson is survived by his wife Julie, his children, and has two official personal websites that document his storied career

http://ThePersuasions.org

and

http://JerryLawson.biz


The Buttertones – Life Coach

Live footage of The Buttertones in San Francisco performing Life Coach, an original song that appears on their 2016 self released “American Brunch” LP.

The cinematic surf noir of The Buttertones captured on multiple foggy lensed cameras in a darkly lit crowded low ceilinged basement full of hysterical sweaty shrieking females, whats not to like?

This video is a multi-cam clip from their 2017 summer tour which I captured below the Swedish American Hall on Market St at the nocturnal retreat otherwise known as DuNord.

The Buttertones, an educated and enigmatic five-piece combo that arose from the Los Angeles basin at the time consisting of Richard Araiza (vocals/guitar), Sean Redman (bass), Modesto Cobian (drums),  London Guzmán (saxophone) and Dakota Böettcher (guitar). I have just read that as of July 2019, guitarist Dakota has left the group, so it should interesting as they forge ahead without his additional musical influence.

Flipper – The Lights, The Sound, The Rhythm, The Noise

On the occasion of the band’s 40th Anniversary, the noise mongers collectively known as Flipper assembled on the stage at The Great American Music Hall shortly after 11 pm to deliver their sonic sermon last night.

Stella Meets David Yow

Prompt , showered and shaved, frontman for the occasion, Mr David Yow greeted some people beside the stage including a bored 15 year old brought 1500 miles by her mother.

After the pleasantries, our cameras turn to capture the opening feedback salvo from Ted, a brief intro of the Flipper as the “the greatest band in the history of forever” be a young female fan in the audience, and Yow & Co take over. David soon leaps into the sold out crowd of some 500 attendees and we’re officially off!

The joyous din kept going until well after midnight. Here are the first few moments of some of the nihilistic nostalgia and friendly frenzy that ensued.

Above is the version from last night, followed below by a video from 2006 of the band featuring original vocalist Bruce Loose at Cafe DuNord in San Francisco with Kris Novoselic on bass.

@LilMikeSF Media Maker Myriorama