Videos

Is Khaela Maricich The Woman You Want Her To Be?

In the clip below shot in San Francisco at The Rickshaw Stop, Khaela Maricich and her partner Melissa Dyne deliver a track from “Brand New Abyss“, their 2017 album release from their performing entity known as “The Blow“.

Khaela first released music under the moniker The Blow in Olympia Washington 20 years ago. Since then her music, art and performances done under the name The Blow have produced albums and performance works, traversing the fields of popular music, social critique and contemporary art.

 

THE WOMAN YOU WANT HER TO BE

She will be
the woman you want her to be
woo woo woooowooooo
the woman you want her to be
the woman you want her to be

She’ll be smart enough to know
if you want her to not be smart
or just not to show it
her face is a surface
it seems like there’s something below it

And she’ll be the woman you want her to be
woo woo woooowooooo
the woman you want her to be
the woman you want her to be

She’ll be your privatest property
yours to posses
to dress up and undress
she’s an infinite yes yes yes yes
there will always be more of her
unless of course you’d prefer less
she can do that too, just let her know what you want her to fix
she can take care of it

And she knows what you want
she knows what you want
she knows what you want
she knows what you want
(it’s like she can just feel you)

Think of her as a mass
not one ass
but a mass of asses
plastic, magic, passive, perfectible
limitless: a living receptacle

And the bigger the better
the tighter the sweater
the bigger the better
the tighter the sweater
Or wait- is it not big is better?
we need to compress her
shrink up her sweater
and make her be lesser
When you fire in your cannonballs
you want them to really hit something
not just go floating off
into endless mysterious space

She is accessible
you can walk right inside
through the welcoming holes
in her mouth and her eyes
“Hi!” There’s a comfortable area there
you can chill in.
Around back is the VIP entrance
it’s invite only and many resent this
they swear
their name must be on the list
They wanna get in get in get in get in…

Ask yourself what you need her for
never mind, tell yourself that she needs you more.

If she is a game and you’re wanting to win her
maybe make a club and just don’t let her enter
keep her on the side of wherever’s the center
like you’re in a sunny locale
with a beer and a smile
and havana cigars
and the subs pumped up
and your cells all charged
and everything’s yes
there’s a gleam on your car
and she’s off in some permanent winter.
Then after ten thousand years
of getting your coffee
freezing conditions
killing her softly
her hula girl uniform rigid and icicle frosty,
yeah she might kinda wanna
get in get in get in get in
get in get in get in get in
get in get in get in get in
get in get in get in get in (etc)
What wouldn’t she do to get in?

She’d be the woman you want her to be.
woo woo woooowooooo
the woman you want her to be
the woman you want her to be

You want to conquer the unknown:
she can hold your hand while you do it
and if you can’t find the unknown
she can be your unknown
she’ll lay down and let you voyage through it.

She just seems so haveable,
at the very least halve-able.
Split up the middle and grab what is palpable,
an unlimited free material,
give-able, take-able, breakable,
think what all you could make with this resource
a pile of woman
a landmass of layered up woman
a suburban mega mall of woman
a stairway to heaven of woman

And she’ll be the woman you want her to be
woo woo woooowooooo
the woman you want her to be
the woman you want her to be

  • Khaela Maricich

Khaela Maricich, if she didn’t exist, is sorta like a character you might see created for the “alt rock” influenced show “Portlandia”, who not only has emerged like an enigmatic lithe elfen critter from the evergreen Pacific NorthWest, but carries with her its living balsam fringed rebellious artistic spirit.

She once wrote about the process of creating ” The thing about making things is that you don’t always know what you are making while you are making it. In the best-case scenario, the thing that you are making is bigger than you or your ability to perceive it or conceptualize around it, so you sort of have to open yourself up and watch as the new life forms come out, and trust that the process won’t kill you. “

Always exhibiting a challenging confident persona, yet with just the right mix of unraveling unease on stage or record, Khaela has been the chief creative officer and sole consistent member of her “group” The Blow since its early 2000’s inception. Her creative work somehow exists stretched out & pivots and pirouettes at the intersection of “spoken word”, “performance art”, “indie rock” and “dance music”. Khaela, performing either solo, or as “The Blow” has challenged audiences and been well received critically while being heard via radio, or seen live in performance in venues all over the world, including The Kitchen, The Warhol Museum, Henry Fonda Theater, Sarah Lawrence College, The Manchester Deaf Institute, and Yerba Buena Center For The Arts.

The artists maintain http://theblow.org website as well Khaela’s more personal site at http://www.khaelamaricich.com

Church Of Misery 25th Anniversary Tour

Yasuto Muraki, who has spent 3 years playing with the Japanese Doom Metal purveyors Church Of Misery is leaving the fold next month, and this was one of his final US appearances. Church Of Misery, who specialize in dark doom metal inspired by various infamous serial killers brought their 25th Anniversary North American Tour through San Francisco and ended their set with Murderfreak Blues (Tommy Lynn Sells) a dirge from their 2016 album “And Then There Were None” .

multi-cam clip shot with Insta360, and Zoom Q2n cameras imported and edited on my LG Android & iPhone phone using KineMaster, YouCut and audio mixed and sequence prepped with Adobe Premiere

CHURCH OF MISERY
CHURCH OF MISERY live at Bottom Of The Hill in San Francisco on 25th Anniversary Tour

Rollin’ Right at Lakehouse Jazz with San Antonio Saxman Anthony Thomas & friends

I spent some time with a remarkable set of jazz musicians this past month, who stay busy traversing the region gigging and providing beautiful grooves wherever they go. They are all so busy, its hard to keep up with all the music and combos they are involved with, with the musicians casually splintering off into new aggregations and amalgamations at varied venues, ever regrouping into duos, trios, quartets, quintets, sextets and large scale ensembles and the like as needed. The folks I’ve met and shot video of to share here are all on the forefront of a 21st century Left Coast Bay Area jazz renaissance, one that just weeks ago I barely knew existed.

One of the many talented souls I met was Anthony Thomas Martinez, a saxophonist who was visiting from San Antonio, but won scholarships as a youth to study at Berklee College Of Music, and as of late had recently been playing steady gigs not only around his hometown, but as far south as in Baja Mexico last month. He rolled through to sit in at shows around the Bay Area and as far south as Santa Cruz, for a week or two, which is all part of his itinerant musician lifestyle he calls The Hustle. His final gig here was a sold out secret session as the band leader for the night at the rustic Stow Lake Boat House in Golden Gate Park, whose weekly concert series reservations occur online, but fill up every week, even on chilly fog laden February nights.

In the embedded video seen below, he tries out his recently bartered for 1953 Ohio made King Saxophone, that he’s now dubbed “The Silver Swan”. The tune is called “Rollin’ Right” and is some of that “pain jazz”, a longer version is featured on his most recent Black Note album “Live at the Palladium”.

You can catch up with more of Anthony’s music at his http://EyeAm1.Bandcamp.com page and via Social Media where he goes by the handle @IAmAnthonyThomas or ATM Jazz

Performing with him in the video was fellow San Antonian raised percussionist Vince DeJesus, recent Cuban emigre Yadier Noa Chamble on bass, and Dave Brubeck Institute Jazz Quintet alum Javier Santiago, originally from Minneapolis on the keys.

Wrote Anthony after the show :

“Playing at The #LakeHouse Jazz show was mad fun and is always a privilege to play with such intense and inspiring musicians. It was a packed house, 70+ people in attendance, an intimate setting with attentive ears and super grateful for the special guests who came to hang. This is my 3rd year coming out to the Bay and 4th time playing this concert series. Whenever I come, the band name I go under is “The Hustle”. I chose that name because that is very much what the gigging , working musician life is, a Hustle everyday to manifest the life you want as a reality. Most us have our own projects, play in several bands(all genres of music), do studio work, compose or arrange, produce, teach and do everything else under the music umbrella. We all strive to be the best version of ourselves and play from the heart, one day at a time, one note at a time. I believe “The Hustle” is something we all can relate to, whatever dream you may be after and that’s the place we as musicians come from when we play. To try and invoke your emotions and take you out of the Hustle for a moment, to another place while relating to it at the same time. Our release is your escape for that brief period and the greatest joy for us is for you to receive it, and hopefully touch you in some way. Until we meet again my Bay Area friends & brothers.

If you’d like to find out more about the surprise secret sessions happening in Golden Gate Park on the regular and organized via BeMusical, visit this link https://www.eventbrite.com/e/lakehouse-jazz-tickets-74499918261

Memories of Miami Floridians of The American Basketball Association

The Floridians Logo

In the late 1960’s an alternative league to the established National Basketball Association started up called the American Basketball Association. Imported to South Florida from ill fated beginnings as the Minnesota Muskies, a struggling semi pro b-ball team was rebranded as The Miami Floridians to enliven offerings in a resort and retirement area where golf, and gambling on jai alai and horse racing were the preferred past times. The Miami Dolphins NFL team were the dominant champion level pro sports phenomena in town and there was seemingly little demand for basketball and ticket sales seemed to show this.

After two years playing with lousy lineups in ill suited venues like Dade Junior College, and an old aircraft hanger called Dinner Key Auditorium, the bleak experience and team’s stale image helped doom attendance. A new vision would be required at the dawning of the age of Aquarius to get the team off the ground.

old Dinner key Auditorium from a 1970 Miami News photo

Fortunately, a new owner had been bought in by 1970 named Ned Doyle, one of the original imaginative literal “Mad Men” of Madison Ave giants Doyle, Dane & Bernbach, who had overseen and help create memorable campaigns like Avis “We Try Harder”, he’d stuffed Wilt The Stilt into a Volkswagen beetle, and had made Sara Lee seem like a member of the family, so how hard could it be for him to sell sweaty men in shorts?

Floridians ABA Basketball
a Floridians trading card
Doyle arranged for more colorful uniforms, gave away youth tickets and brought in sponsors to help get the nascent team more notoriety

Doyle had done so well from the advertising business, that upon retirement, he invested a spare million bucks into the novel idea of launching his revamped version of a pro basketball team in Miami Florida. One of Doyle’s first attempts to bolster the floundering, but potentially successful, teams’ image was move the games to the more respectable and comfortable downtown seaside environs of the Miami Convention Center, where national political parties held conventions. He redesigned and added magenta, black and orange to the team color scheme on the uniforms, and created a new contemporary sans serif logo. Most importantly, aside from getting ‘ball girls’ in skimpy bikinis to attract eyeballs, Doyle tried to improve the product by investing in new talent. By bringing in some experienced ball players, Doyle saw every single member of the previous year’s roster either traded, sold or released, even local hero and crowd fave Al Cueto aka “the world’s tallest Cuban”. The Floridians bold advertising slogan that year was, ‘We didn’t fire the coach, we fired the team.’ The next year they fired the coach…

Ned Doyle's plans for the Floridians at time of purchase did not include failure
Ned Doyle’s ambitious and innovative ideas for the Floridians at time of purchase did not include failure

Despite putting new athletes on the court, there were still other obstacles to overcome… one strategy attempted was getting the whole state to embrace the team, so they soon scratched “Miami” from the name and went with the brash desperate idea of barnstorming the team around statewide to various smaller less media saturated towns like Jacksonville, Palm Beach, Key West and Tampa to truly earn the name Floridians.

Tampa Bay Times newspaper story about an October 1971 Floridians  game in St. Pete that was ill attended
Tampa Bay Times newspaper story about a 1971 Floridians game in St. Pete that seemed notable to local press only for how ill attended it was

Despite a winning record, and even making the playoffs, the team failed to win enough fans to break even. They still had some great fun in the front office creating what buzz they could, not only bringing in those beautiful body painted dancers in short shorts to entertain fans courtside, but put on stunts like alligator wrestlers on the court at half time, and tossing bagels and promotional pumpkin pies to fans, or giving away concession stand items like Ice Cream & free T-shirts or even Flying Dutchman record LPs out to attendees. One game featured Dolphins infamous All Pro placekicker Garo Yepremian attempting to kick a football through the basket ball hoop from a spot way behind the portable bleachers in the Convention hall…

According to Arthur Hundhausen‘s great RememberTheABA website: “Other Floridians promotions included these creative giveaways: live turkeys for Thanksgiving, 15 pounds of smoked fish (to one lucky fan!), 57 pounds of Irish potatoes (on “Irish Night,” also to one lucky fan), 53 pumpkin pies, vats of gefilte fish, kegs of beer” and those memorable red, white & blue ABA basketballs. My father was the PR director for the team and recalls many stunts and foibles while attempting to fill seats in a relatively sleepy jewish retiree community, back in the days when South Beach was mostly run down old deco vacation motels and across the causeway were some English as a second language Cuban enclaves like Little Havana.

So while Doyle eventually lost all his invested money on the venture, and folded the team a little over a year later, they have gone down in history if at least for some of the promotional stunts. Miami would not have another Pro Basketball team until 1988, when the NBA brought “The Heat“.

Click To Watch The Video Below For More Insights…

1970 Miami Floridian Ball Girls

When all was said and done in the spring of 1972, my Dad one day was on the phone trying to arrange a buyer for the team in Omaha, when he was told to pack up his desk as team promotional director, and literally had to help carry the heavy wooden beast of a desk to another office, that was up a flight of stairs. In a last ditch effort to recoup, The GM sold the office furniture to new tenants in the building. Turns out one of the long haired buyers in tattered denim was Jerry Rubin of the Yippies who were moving into the same office building to make a HQ for their upcoming protests of the 1972 Democratic Political Convention at the same Convention Center in town the team had just abandoned.

Column from Cocoa Beach Today newspaper by Jerry Green on why the Floridians never caught on

Thus ended The Floridians ABA Franchise…

I was so little back then that I barely have memories of the games, but can recall the warm weather, the empty arena seats and kinda faintly recall those ball girls in short shorts actually 🙂

Richie Ramone Live in Las Vegas – Smash You / I Just Want To Have Something To Do

Here’s veteran rocker Richie Ramone, backed by his touring band featuring throttle down Aussie six string meister Ronnie Simmons on guitar, Clare Misstake on Bass and ex-Feederz drummer Ben Reagan. This clip of classic Ramones’ tunes was recorded live at The Dive Bar in Las Vegas. The band were pumpin’ up the volume, but with vocals at the mercy of an atrociously lame PA, but what would ya expect at a place called the Dive Bar? I shot this clip on the first night of their 2016 US Tour that eventually took this band across the US via dozens of energetic shows in some 26 states, and then onto the EU, South America, and Asia.

Richie Ramone on vocals, Clare Misstake on Bass, Ben Wah on Drums, Ronnie Simmons on Guitar
Live at The Dive Bar in Las Vegas

Richie Ramone (aka Richard Reinhardt) joined the Ramones in the early 80’s when Marky was demoted due to an alcohol related reliability problem at the time. Through some of their most extensive touring runs, best selling albums, and highest charting singles, Richie infused new energy into the group, and was the fabled NYC band’s backbeat for hundreds of gigs. Richie played on, and even co-wrote some of their best known songs of the 1980’s including “Somebody Put Something In My Drink” and the single “Smash You” (seen in this clip). After a well documented falling out with Johnny and the band, essentially over not receiving a split from the band merch (especially t-shirt’s that bore his name and photo), he quit in a huff in the late 80’s.

Reinhardt recently resumed his indentity as Richie Ramone to keep his former band’s fabled four on the floor 1-2-3-4-Go sound alive, and give a new generation a chance to experience a full throttle rock show like the Ramones once delivered night after night.

Richie Ramone Entitled LP

His album “Entitled” dropped in 2013, and “Cellophane” arrived in the fall of 2O16 featuring all new tunes from Richie with the same ol’ bad attitude the Ramones were known for… I own both and ain’t afraid to spin ’em, even if the neighbors disapprove.

Richie Ramone Autographed White Vinyl "Entitled" LP

Flat Five Find Love Live

A groovy Free Design cover performed by super talented Bloodshot Records recording artists The Flat Five from Chicago Illinois. This cover song was recorded Jan 18th 2017 on the final show of the band’s first ever Pacific Coast Tour in San Francisco.

The Chicago based quintet of Kelly Hogan, Nora O’Connor, Scott Ligon, Casey McDonough, and drummer Alex Hall were surreptitiously recorded for posterity (but Nora kept spotting the lil’ cameras everywhere, cuz she’s still pretty observant for a road weary mamacita). For more info on the Flat Five and to obtain their debut album visit their website http://www.theflatfivechicago.com

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Walking With The Beast With Kid Congo Powers & Greg Dale

Greg Dale singing

Greg Dale joins Kid Congo Powers for a live version of a song from the Gun Club’s seminal Las Vegas Story album.

Recorded live at “Sorrow Knows: Jeffrey Lee Pierce and The Gun Club” , a tribute show held on Kid Congo’s birthday March 29th 2015 in San Francisco. This song features Greg Dale on vocals, joined by special guest Kid Congo Powers on guitar, with a band also consisting of Jozef Becker on skins, Jeff Klukowski on Bass plus even Mo Guitars by E-Wreck Mo-Fat and Douglas Arthur Hilsinger.

Old Firm Casuals – Hell’s A Lot Better

Bassist Casey Watson sings lead vocal on “Hell’s A Lot Better”, the lead off track from the Old Firm Casuals’ 2017 EP release “Wartime Rock ‘n’ Roll“. Shot Dec 27th 2019 at Eli’s Mile High Club in Oakland, here’s their closing track that night.

The Old Firm Casuals are an American street punk band formed in 2010 as a sequel to Lars Frederiksen’s previous Rancid side project band known as Lars Frederiksen and The Bastards. Other members of his Old Firm Casuals unit include Paul Rivas (drums) and Gabriel Gabriloff (lead, rhythm guitar vocals).


Everyday Will Be Like A Holiday

Bob Reed is seen here singing a soulful rendition of a classic composition by Stax songwriters William Bell & Booker T Jones with special guest backing vocalists Meryl Theo Press and Karina Denike. Bob has sung in numerous bands over the years in the Bay Area, notably grunge flannel flyin’ power pop band Overwhelming Colorfast whom he was with I first came across him in the early 1990’s.

Every year for at least the last eleventy or so, there is a SF-Marin Food Bank benefit in late December put on by my friend Parker T Gibbs featuring lotsa local acts such as the talented Marc Capelle & the Casuals, seen here as the backing band. This video was recorded on multiple cameras I manned around the room at The 2018 Gibbsmo Holiday Craptacular in San Francisco at the Make-Out Room.

Me First & The Gimme Gimmes vs Paul Simon’s Explicit Schoolyard Fingering Song

Me First and the Gimme Gimmes are led by incomparable show biz aficionado Spike Slawson, backed by an all-star punk cred band, in this instance featuring CJ Ramone on bass, Scott Shiflett on lead guitar, Fat Wreck special teams superhero Dave Raun on the drums, joined by fellow Lagwagon member and solo singer/songwriter Joey Cape on rhythm guitar.

This excerpt of them mauling a Paul Simon fave was shot live at Slim’s amidst three sold out 2019 San Francisco Christmas shows. See what you missed as Spike cajoles the horde and leads the band through a tightly wound, heroic 90 minute set of rock classics. Be sure to click to expand the video, and kick up the video volume if it’s muted in the streaming embed below!