Category Archives: Live Concert Videos

Flipper Turns Forty, That’s The Way Of The World

Flipper’s 40th anniversary is this year and they are playing later this week in their hometown of San Francisco at Great American Music Hall. I guess I gotta shell out the big bucks if I wanna see ’em again. Should I do it? It will be sorta like a family reunion, in that not everyone will be there, and those that are, might not even be recognizable the way you remembered them, or even the members you’d want to see the most.

Here’s live video clips I made featuring songs made infamous during Flipper’s early years…

One further down below is newer from the 21st century, featuring current vocalist David Yow doing Love Canal and Ha Ha Ha which were on an early single. The other just below is about 20 years older, you hear part of their final Subterranean single “Someday” and the closing song “Way Of The World” from a daytime outdoor show in the early 90’s when the reconstituted band soldiered on after the death of original member Will Shatter. At the time a guy named John Dougherty was brought in on bass, and just like Will, Dougherty too would also die of a heroin overdose shortly after this 8mm footage was shot.

Here’s a more recent live lineup performing past glories from the band’s break-thru single originally released on Subterranean Records in 1981

Both songs are masterfully jaded methed up narcoleptic noise rock takes on the American Dream gone awry, setting the tone for the emerging ennui amidst a painful wasteland of suburban consumer conformity and corporate malfeasance that would be known as the 1980’s.

For a year or two in the late eighties, I used to answer Flipper’s fan mail, not for the money, uh, just for the glory I think… besides they were too lazy. Their singer Will Shatter would show up and sit beside me at the Subterranean record label store front on Valencia St circa 10 am with a Bartles & Jaymes wine cooler in hand. He was really just hoping to cash spare royalty checks before the rest of his bandmates, and seemed disinterested in the fan mail I showed him from geeky kids in far off Poland and Kentucky. The label guy would maybe throw him a few bucks to get rid of him lurking around the storefront, and Will might even pilfer a couple 7″s on his way out to sell somewhere else. But Will was a beatnik poet, and really just a guy from Gilroy, and he died soon after of an OD…

 


 

Lil' Mike reads about Will Shatter's death
me on day will shatter’s death hit the news

The Flippant Men Who Make The, Uh, I Guess You’d Call It “Music”

Steve DePace is the entrepreneurial mercenary and life force trying to preserve the band’s legacy, Ted is more chill, a laconic Vietnam Vet,  frazzled and still the easiest to be around to this day. I think Will was the sweetest of the bunch, while Bruce, now put out to pasture, was obviously the most mischievous, which is kinda cute when you’re young, less so as you creep into middle age.

When Flipper Kinda Lost Its Way In The World … 

By the early 90’s Bruce’s drug taking manifested itself beyond pranks into petty feuds and worse, he became such a jerk, that after Will died, he was actually caught climbing through the ceiling vents of his own indie label warehouse to steal his own master tapes. It was all part of a coked up cash-in ploy and they sold the reels to Rick Rubin and Henry Rollins for chump change.

Bruce from Flipper on stage holding the mic at The 1994 Making Waves Festival May 27th 1994
Bruce “Loose” Calderwood on stage 1994

Selling the tapes got a cash infusion, but sorta proved to be a stupid move, as not only did they burn the true foundational business bridge to their past glories, as soon they took the new money from Rubin, (an amount that barely woulda bought a decent new van), all the early Flipper tapes & LPs were soon out of print. Most of their legacy material was basically lost to the netherworlds of corporate negligence…  They put out one new record on a major label in 1993 that stiffed, and I think Steve DePace had to sue to buy back their own music from Sony or whomever ended up owned and kept it dormant for well over a decade into the 21st century long after iTunes and eMusic downloads were already in decline.

Flipper mighta been a buncha drug ravaged idiots, but they were also brutally inspired artists without fear who made a definite caustic sonic mark on the rock music world. Really a band with no apologies, and a legacy of noise that still always makes me smile despite actually knowing the muther fuckers. Original singer Bruce “loose” Calderwood is a more than half crazy old mountain man misanthrope, constantly complaining online about his back, lashing out in recriminating rants while David Yow of Jesus Lizard cavorts the globe singing the songs Bruce made famous, much to Bruce’s chagrin and anger.

They were one of the great band’s of the early 80’s post-punk scene, and the only thing that held them back was everything. especially their own dysfunctionality. I consider them America’s nasty little answer to the pomp & circumspect Public Image Limited., but with much more sincerity, true grit and heart. They made dark deep wounding records that still stand the test of time, and their songs churn away in the background like psychic sewer dweller anthems. As Krist Novoselic of Nirvana has said of the band he briefly joined “Their music drew me into a universe where bleak was beautiful. I realized the work was as heavy and transcendent as anything in the rock echelon. Mainstream convention was shattered. Flipper were too weird and dangerous for the world. And if the world didn’t get it, that was just another loss for humanity. “

Apparently the world as another chance to catch on. Steve DePace mentioned to me in April when I inquired about the band’s 40th anniversary tour, and working on a documentary of their career “The time is right! I am going to get it all done over the next year or two! We will be rebuilding and relaunching the brand and the band in a big way. Lots of shows and many other things…”


Footnote: San Francisco music scribe and rock fan boy geek extraordinaire Dave Pehling has spoken to Steve DePace and recounted their conversation at great length recently and covers a lot of fishstory in a recent post at CBS Local here : https://sanfrancisco.cbslocal.com/2019/07/10/cbs-sf-flipper-drummer-steve-depace-interview-punk


Flipper first EVER show with David Yow

On a Sunday afternoon in the fall of 2015 the Public Flipper Limited corporation reconvened their bored members and brought the beast out for a walk. David Yow (best known as frontman of Jesus Lizard and Scratch Acid) took the lead vocal mic for a brief tour that saw the band play San Francisco, Southern California, Brooklyn, Philly and I believe some tempting gigs in Italy that were the real date bait.

Here’s some footage from the show I was able to capture, it was pretty dark but the sound was good and gives ya an idea of how it went.

The lineup also consisted of Bruno DeSmartAss (also of Flipper pals band The Sluglords) on bass, original skinsman Steve DePace , and veteran guitarrorist Ted Falconi plucking the six strings…

“Ever” is a dark Will Shatter era classic from their 1981 “Generic Flipper’ LP, seen here performed at The Bottom Of The Hill in SF 10/10/2015.

Ever live a life that’s real

Full of zest, but no appeal

Ever want to cry so much

You want to die

Ever feel that you’ve been had

Had so much that you turn mad

Ever been depressed that (to) those you turn to, you bring distress

Ever sit in tormenting silence

That turns so loud, you start to scream

Ever take control of a dream

And play all the parts and set all the scenes

Ever do nothing and gain nothing from it

Ever feel stupid and then know that you really are

Ever think you’re smart and then find out you aren’t

Ever play the fool and then find out that you’re worse

Ever look at a flower and hate it

Ever see a couple kissing and get sickened by it

Ever wish the human race didn’t exist

And then realize you’re one too Well, have you … ever .. I have

So what


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Apache – Boyz Life

Apache livin' the Boyz Life  at the Elbo Room

Apache the band specializes in lousy good ol’ fashioned not too serious, raunchy robust beer drinkin’ goofball fun… and this song is the epitome of their misfit casual cool attitude

Apache on stage at the Elbo Room in San Francisco

This was a great show at the old Elbo Room in San Francisco that I happened to be at in January 2017. Here’s Apache doing “Boyz’ Life” at the Elbo Room in San Francisco, CA, January 27, 2017.

Apache performs Boyz Life at the Elbo Room in SF CA

Apache released their first album “Boomtown Gems” in 2008. Touring the world ensued and their sophomore album “Radical Sabbatical” was released in 2010.

Apache on Facebook: https://www.facebook.com/Apache-11075…

Apache on Instagram: https://www.instagram.com/apachesf/

Stills shot by Lil Mike SF

Audio recording and production: Jay Last Video recording and production: Andi Last Last Productions: http://LastProductions.net

Dwarves – Mystery Dance

A Tribute to Elvis Costello featuring loud mouth blabbering Blag Dahlia, HeWhoCannotBeNamed playing with his organ & Salt Peter putting the bass in yo face just like he always did in that classic Dwarves line-up are seen here tackling Elvis Costello’s Mystery Dance, joined by fk’d up friends Eric Moffat on guitar & Dave Leonard on drums.

Multi-Cam Clip shot live at the Make-Out Room in 2016 by @LilMikeSF

Unrepentant Dwarves in messy 3 stripper crash the stage pileup

It was lil’ bit smutty, a lil’ bit rock ‘n roll as the old school Dwarves lineup of Blag Dahlia, HeWhoCannotbeNamed and bassist Salt Peter Strauss were onstage along with Rex Everything and spry lad Hunter Down on the drum kit. As host John Waters says of the Burger Boogaloo , “Burger Boogaloo is the perfect cult gathering of young and old music rebels who hate everybody in the world except each other.” Or as Blag himself put it “the place to be” in vogue Oakland with the “greatest rock band in the world”, apparently his own.

Here’s a 360° video perspective the Dwarves closing down their set with “Unrepentant”, the lead off track from their 1997 album “Dwarves are Young & Good Looking” which was their first release after getting booted by Sub Pop for pranking the death of one of their own band members in a PR seeking stunt meant to ride the 90’s post Kurt Cobain suicide sympathy wave. The song is all chunky riffs and bluesy wails, dark humor augmented by some anti-crowd control antics as they end their ribald appearance at Burger Boogaloo July 6th in Oakland’s Mosswood Park. They are joined by some feral female friends like Burlesque Boogaloo beauties Ms Edie Eve, Szandora LaVey and voluptuous Bo Vixxen.

“Live action show
In stereo
On TV, radio
Smokin’ dust
Like there’s just no tomorrow
But they don’t know
Said they don’t know
Yeah, they don’t know!
Aww, they don’t know!!

Yeah, I’m unrepentant
And I don’t regret it
There isn’t any other way
Yeah, I’m unrepentant “

– Blag Dahlia ( aka Paul Cafaro )

I brought a new 360° camera to capture some of the action stage side at Day 1 of the Burger Boogaloo but as soon as I took it out, the frantic pit action and stage diving of big boy Blag Dahlia soon knocked the lil dual lensed guy off its gimbel mount and into the mud, so I apologize for the smeared lens on some of this footage. Thankfully my co-camera operator Eric Moffat noticed it flying and snagged it from the mud, I later saved his camera as it was knocked around onto the ground minutes later during the stage diving and crowd surfing caught at the end of this number.

Celebrity Skin – Darling Can’t You Hear Me ? (Live in SF 1991)

Jason, Bob, Don, Tim and Gary…today’s scary comic book opera characters a.k.a as the musical amalgamation called Celebrity Skin



S.O.S. as performed by Celebrity Skin live at The Kennel Club in San Francisco April 10th 1991

A ramshackle trashy late 80’z rock band from HollyWeird that ceased to exist by 1992, Celebrity Skin played quirky, too clever for their own good, glittering glam punk. They were the height of ridiculousness, perhaps poking fun at their more serious hair metal counterparts on the Sunset Strip, Celebrity Skin were inventing a type of metal that would get you thrown out the Cathouse or Gazzarri’s. Their onstage outfits oft were custom made to look like they were possibly dumpster dived, a mix of ostentatious outlandish and devilish derelict, a bit of gaudy glitter pirate meets tossed out space muppet.

The band was more New York Dolls than slick Hollywood radio rock stereotype, and unfortunately this was not as commercial a concept as their Sunset Strip rocking cohorts Jane’s Addiction, with the ticket selling traction that could sustain such a chameleon-esque commedia dell’arte  project.

Like every Sunset Strip band of that era, the Celeb Skins  were striving and pining to “be signed”, and were surviving on foodstamps & fruit loops, the kindness of stranger’s girlfriends and oft sleeping on floors on tour while opening for bands like Psychic TV.

Bassist Tim Ferris told Mark Lidell of a London based magazine called Riff-Raff when promoting their first and only album a few months after this video was shot : “We’re definitely not a Glam band, we hate that shit on Sunset Strip, y’know, black stretched jeans and all the fuckin’ tattoos and the bullshit…Don’t get me wrong. But if you were in LA you’d know what I was talking about. It’s the worst state rock has ever been in. It’s sexist, it’s prejudiced, it’s homophobic. It’s like everything rock’s not about. “Glam” always had bad connotations for us and then when we went to Germany, last year, everyone was saying that, just the way we used it. They liked it. So we learned through that, that we don’t really care what people call us. We just do what we do. We definitely consider ourselves glamorous, not glam!”

In 1988, Celebrity Skin’s over the top heavy metalized chaotic cheese whiz cover of “S.O.S.” ,originally by Swedish studio wunderkinds ABBA, was recorded and slated for the SST Records compilation put together by Dave Markey called The Melting Plot. The compilation LP featured some of the hottest underground bands around doing classic rock & top 40 covers and was ostensibly the soundtrack to a low budget indie movie that few if anyone ever saw. Click the button to hear a snippet of the studio version…



A website called Sleazegrinder has since surmised Celebrity Skin’s sensibility flew over the heads of the “not in on the joke” flannel wearin’ grunge and metal enthusiasts that were their potential demographic.

“The Celebrity’s still unforgivable androgyny and bizarre sense of humour was even lost on many of my own stonewashed bros from way out, who just never fully appreciated that whole whacky, zany, west coast silly joke-rock vibe, a la the Dickies. A lot of people don’t need their rock to be funny. Especially not rural Metal Church enthusiasts. “

The members of the band were an amalgam of not-so stereotypical rockers, neurotics, egomaniacs, misanthropes and of course, the oddball beat master Don Bolles of The Germs. Guitarist Jason Shapiro, who’d moved to California from Boston apparently once played in an early Verbal Abuse lineup, and is still making music these days as a member of the revitalized Redd Kross. As for the  rest of the Celebrity Skin members, they seem to have flittered off the face of Planet Rock.

I last saw singer Gary Celebrity (née Jacoby) touring via Greyhound bus, performing solo sets in bars to promote his Triple XXX label solo album in Sonoma county and that was over 25 years ago… There was apparently a one-off reunion in 2007 for an outdoor festival in LA but since then, most of the the band members have not made any TMZ headlines since, which actually might be a good thing. I wish they’d all made a final trip up to the SF Bay Area for their reunion a decade ago, as they still have some enthusiastic lingering fans from their hedonist glory days that woulda all loved to see them.

Thanx for the memories Celebrity Skin, glad I got a few minutes of video of you at the peak of your powers on tape that I can share for posterity at least!


Dirtbombs – Shake Shivaree in HD

In August 2001 the Dirtbombs from Detroit Michigan convened at the Bottom Of The Hill in San Francisco for a memorable gig that has stood the test of time nearlt two decades later. Here’s an exclusive never before seen edited HD clip of the Dirtbombs opening number shot with two Sony digital video cameras in the back of a sweaty sold out club on a warm San Francisco night. This newly rediscovered & remastered HD edit of the opening number from the show features the closing track of their 12 song 1998 debut album “Horndog Fest”.

Then below this never before seen video is another of  the band tearing through a medley of back of back tunes from the same set:

Cedar Point ’76/ I’ll Be In Trouble/Chains Of Love/Maybe Your Baby

Dennis Loren designed rock poster art for The Dirtbombs 8/9/2001 show at Bottom Of The Hill with The Bellrays & Lords Of Altamont
Creem Mag inspired poster for the show by Detroit artist Dennis Loren

 The Dirtbombs, fronted by the then 35-year-old Mick Collins (already a veteran of budget garage rawk groups such as Blacktop & The Gories), were out and about mainly to promote their sophomore album, Ultraglide in Black on the In The Red label. At the time, rock scribe, Jennifer Maerz interviewed Collins for an interview that was published days prior to the gig in SF Weekly where she noted Collins got the idea for the Dirtbombs back in 1992, while on tour in Europe with the Gories. At that time, he said the punk trend was to chuck the bass player and just have drums and guitars — a trend he reacted to by having two bass players. Since then, the band has gone through 10 lineups. “There’s enough ex-Dirtbombs to make five whole bands. There’s a couple people whose names I don’t even remember,” chuckles Collins. (The latest configuration includes Ghetto Records owner Jim Diamond on bass, Tom Potter on “fuzz” bass, Pat Patano and Ben Blackwell on drums, and Collins on vocals, guitar, and harmonica.)

Mick told Maerz “We’re extremely loud live because we have two drum sets and two full bass rigs — and we keep the beat going all night,” says Collins. “In addition to “loud,’ I guess “unpredictable’ is a good word. We never know what’s going to happen. There’s a lot of give-and-take with the audience — the more they’re into it, the more we are. We encourage people to dress wild, wear costumes and stuff. Don’t worry about looking cool; don’t worry about that scenester crap. We don’t fit in, why should you? Let your freak flag fly high, baby! Let it all hang out!”

Uke-Hunt’s Depeche Mode Tribute Tune

Spike Slawson, leads Atom Ellis, Jamin Barton and Prairie Prince through a version of Depeche Mode’s classic “Enjoy The Silence” while performing at Slim’s on 11th street in San Francisco’s South of Market nightlife district.

Recorded live in concert at Slim’s, Uke-Hunt were appearing on a bill with Spike’s old band The Swingin’ Utters. The song was originally released by the British electronica group Depeche Mode as the second single from Violator, their seventh studio album, that was issued on Mute/Sire records on January 16th 1990.

Yo! pero esta versión de “Enjoy the Silence” merece su atención. Spike Slawson no es un cantante muy conocido, al menos fuera del círculo punk que es tan cerrado. Es el cantante de Me First and the Gimme Gimmes (grupo conformado por Slawson, Fat Mike de NOFX y el vocalist of Lagwagon, guitarrista de los Bad Religion and others) una banda que se dedica a hacer covers punk de canciones pop. Spike nee Sean Slawson performs Depeche Mode’s “Enjoy The Silence” with his lounge-core band Uke-Hunt at Slim’s featuring members of the much maligned but eminently lovable touring band The New Cars.

The Dicks – Sidewalk Begging

A rock concert video shot at big bear-like vocalist Gary Floyd’s ersatz 21st Anniversary Dicks celebration at the late great Paradise Lounge on 11th Street along Folsom Gulch in San Francisco.

Unable to bring together the Texas lineup for another year or so, this was a locals only version of the band featuring an all San Francisco citizen lineup. This song featured here, “Sidewalk Begging”, a caustic indictment of the SF Bay Area’s infamous yet still shocking urban poverty problem, first emerged on The Dicks 1985 album, “These People”, recorded and released on Alternative Tentacles records. Lynn Perko who plays drums on this live track, was in the later Dicks lineups with Gary ( as well as Sister Double Happiness), after moving to the region from Reno NV

The reunion here was really with Lynn Perko-Truell on drums, also recruited for the eve guitarist Matt Margolin ( R.I.P. Matt also played in Smoking Rhythm Prawns & Gary’s Black Kali Ma band) …plus Ed Cagnacci (later of Dirty Power, and now in PDX) on bass… This show was taped May 16th 2001 from the Paradise Lounge large room balcony… show was so loud it overloaded the lil’ microphone on my Sony Digital Video Camera…

The club this was shot at was originally known as Febe’s back when it was a South of Market gay biker bar in the 70’s and 80’s down the street from the original Stud location, in the late 80’s it was purchased by the late Robin Reichert and renamed the Paradise Lounge.

The bar grew from a small 50 person capacity joint to a multi-level club with many staircases, and even a large annex next door called the Transmission Theater. Eventually Dicks singer Gary Floyd was employed there in the mid 90’s after Sister Double Happiness deal with Warner Brothers dried up and the band members started to need some side money between gigs , and Gary often would be found working the door on many nights.

Head over to http://SteveNiles.net to get your free MP3 version…

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Gray Matter Unreleased DCHC Queen Tribute Track

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