Category Archives: Indie Rock Icons

Mike Watt’s Day After 9/11 Show

 

Included below are Mike Watt’s unedited blog comments about the journey up from San Pedro heading towards Northern California that day and a clip of him performing a Lou Reed cover with Tom Watson and Jerry Trebotic at Old Ironsides in Sacramento

 

“We make good time and pull in front of the (Bottom Of The Hill in San Francisco) just before six. there’s a sign in the window saying the show’s cancelled. this has happened before but for different reasons. I started a fIREHOSE tour in the fall of 1989 w/the first gig here at the i-beam and this huge earthquake hit. The whole city was blacked out ‘cept for this huge fire in the marina part. We, in fact, drove over the epicenter of the quake in Watsonville while it happened (for some reason we went the san jose route, us-152 instead of just I-5 up to I-580 – maybe cuz it was the world series where there was two bay area teams, the giants and athletics, one of the games was going on that day) and didn’t even feel it cuz of the winding road! the phone and power lines were sure wagging between the telephone poles though! we thought it was weird no wind was buffeting the boat – like “what’s moving those?”! man, have I been so stupid on tour sometimes, looking back. probably will continue that tradition despite my intentions. 

   oh well, we’ll try to make this gig up at the end of tour, after Tempe. I dig playing this town but understand about having to roll w/the blows. Tomorrow, we’ll start the tour in Sacramento.

The next morning I gotta get the shirts that were supposed to be waiting for me at the club last night. Kenny’s got the tv on and it’s an endless loop of yesterday’s hell w/his commentary. He points out significant stuff. It doesn’t lift the heaviness off of my heart though. I call jimbo in nyc and he’s ok, thank good. emails from thurston and lee too – great. After that, we’re off to “brother in-laws #2 on divisadero for the best ribs I’ve ever had. I dig this pad. we get another happening parking place, whoa! down the street used to be the african orthodox church of saint john coltrane but it’s gone now. 

we head east out of town over the bay bridge towards sacramento, where we play tonight. it’s actually the first gig of the tour now. we blow by the right turn-off and have to loop – the first one of the tour. we make it eventually to the pad for tonight’s show, _old ironsides_, right by the capitol. yet another perfect place to park – lucky number three. it’s a real old pad, from at least the 30s. the soundman, larry, is a nice cat. the boss, brian, comes by after soundcheck and it’s good to see him. he’s an old friend. then it’s time to konk – I am emotionally frayed to the bare wire. my first konk this tour in the boat. I shave right before – I’m shaving this tour, by the way. just want to.

   I’m out for like three hours and miss my friends, _bargain music_ open. damn. so good to see them cats. I produced their first record. they’re from long beach, near pedro. good folks – josh, jeff, phil and new man zippy. I miss _hella_ too – tom and jer said they were great – a two-piece from this town. I was just so beat though and want to play my best. sorry to all of you.

   jer rouses me right before it’s our time and I head for the stage from the boat. I’m wearing these dark sun glasses when I play in respect for all the loss of the nightmare from yesterday morning. we start the gig and I’m just crying a river, I can’t help it – the feelings are so overwhelming on me. I don’t say much, I want the music to speak. I know I’m tiny but I just want to up the love and balance all the hate that’s going down now. like john coltrane said, “my goal is to uplift people.” maybe it’s because I feel so inferior and it would be so easy to pick-up on some self-righteous revenge tip – even if it might seem justified – I know it would be just an overcompensation for those small feelings I have of myself. I can let that win out. I can’t let the bitterness worms burrow their way into the holes of my heart. I must keep them flushed w/warm blood of love feelings and not let my heart grow hard and leathery. such a small feeling I have of myself. I want my little bass to talk for me and nurture some kind of goodness.

   my guys play great. I blow bunches of clams, damn I gotta get it togther. I try to focus but my eyes are so welled-up w/crying. thank god for the glasses. this would surely not inspire anyone. the last thing I want is pity. I want to put out the feeling of hope and possibility. this all might sound funny coming from an old punk rocker but this is the place where life has brought me. all fortythree years add up to this. I’m a mess but at least I have for this moment the little bass in my hand and the spirit of john coltrane to learn from. like that song he has called “alabama” about those four little girls getting bombed in that church in the 60s. such a man – a real man. and those eyes, so much love in those eyes… tom and jer and help buoy me w/their playing. I get more composed and join together w/them. we have good flow, one song into the other like one big piece. the folks have us back for more and then that’s it – the first gig of the tour done. I’m just glad I made it though it – this was really tough. sometimes I feel I’m a reed blowing in the wind, a hostage of the wind and unable to find my center. I don’t have that much confidence these days, I feel quite fragile. I’ve been praying much, analyzing everything about myself. this really underlines doubts about myself and thank god I have the momentum of the years behind me to keep me rolling. I don’t feel very strong now.

   I sling shirts and these righteous posters rr made for me from a raymond pettibon drawing. by the way, he just had a big show in london where he showed the movie we made this july on jim morrison, “red tide rising: venice or mars.” I was so embarrassed to do that but I would do anything for raymond, I love him so. he’s taught me and inspired me in so many ways – what remarkable luck and fortune to have him in my life. yas says hi and gives me some salsa from an uncle’s “secret recipe.” thank you! one thing that’s kind of creepy is some cat harassing my while I’m slinging – he’s says he’s doing it from love by it’s a total torment trip. he’s had a bunch of beers and keeps telling me he’s coming from love but damn, it’s getting too much. I think this is a reaction to consumer culture in a weird way. it’s not like it’s even conscious to him, I think. any of us. it’s reacting w/out thinking – a perfect target for marketing. I feel bad about this. I would think I would be the last person someone would want to gush on. I feel more like a trippy uncle. one cat, an older guy who has me sign his blue oyster cult record wants me to write “death to afghanistan” but I say no and instead write “love to afghanistan.” he says it’s ok. I think he knows what I mean.

   I say bye to brian and the bargain guys – we’ll see them again in lawrence. concepcion, an old friend from pedro invites to stay w/her and husband mario. they live here now. she goes back to the minutemen days and knew d. boon. it’s great hearing her talk about her adventures back then w/him in them. I am so beat and want to just be out, just like that. on the deck, by the couch, I stake my claim. after the sunlamp-like lights are extinguished, sleepytown comes quick to end this first gig night of tour.

 

Check out Lil’ Mike’s Randomly Revelating History Tour of San Francisco Sites On Google Maps

Flogging Molly Selfish Man in Solana Beach CA April 2000

I shot this live video clip at the Belly Up Tavern in Solana Beach CA in what I believed was September 2000, but have now confirmed through newspaper archive searches the show was earlier that year on April 7th.

 

local newspaper advertisement for San Diego area gigs by Flogging Molly, The Uninvited, Femi Kuti, King Sunny Ade in April 2000
Belly Up ad for that week in spring 2000

These were the days when the relatively new band fronted by former FastWay singer Dave King were still touring on their own self released debut live album, Alive Behind the Green Door, recorded at their old stomping grounds Molly Malone’s on Fairfax in LA. The Flogging Molly debut studio album Swagger came about after hooking up with the Side-One Dummy label around this time and they were invited to tour with Kevin Lyman’s Warped Tour later that summer.

 

 

They’ve since gone on to have a huge career, selling out venues around the world, playing major festivals, securing corporate sponsorship funds from the likes of Jack Daniels & Bushmills whiskey, Orrick law firm and Death Wish Coffee, and even having their own branded  Salty Dog Cruise themed cruise weeks.  Salty Dog Cruises are annual cruise ship traveling circuses curated by Flogging Molly that cost attendees thousands to attend on giant cruise ships from the Port of Miami Florida on into the Caribbean, down to Belize and back  joined by their fave bands performing sets including Rancid, Slackers, Stiff Little Fingers, Vandals etc. It all seems pretty amazing to me since they used to play free shows weekly in LA in the months before this gig where I shot them in Solana Beach where admission was just $10 at the time.

Flogging Molly at Belly Up Tavern April 7th 2000
Flogging Molly at Belly Up Tavern April 7th 2000

Best Of Bandcamp Via The Hype Machine

Anthony Volodkin of the Hype Machine is a clever interesting guy who played a big role in music culture in the early 2000s when he revolutionized the promotion of music on the internet after he coded up an aggregator called the Hype Machine in 2005 that found a way to stream tracks form the myriad of internet blogs then posting music to an avid readership numbering in the millions. I can tell ya personally about the popularity of this wild wooly indie scene because I had a music blog at the time drawing thousands, if not tens of thousands of hits a day, much of that traffic derived from Anthony’s Hype Machine website.

Today with Alphabet’s YouTube, Zuckerberg’s social media & ezos’ e-commerce empires hogging most of the web traffic, my website now pulls around a fraction of that, maybe a hundred unique visitors a day, a far cry from when there were fewer internet users but there was more equal footing amongst all the sites on the web. I myself had kind of forgotten about the Hype Machine over the past decade, as the democratization of the web has largely disappeared into corporate content mazes, but was recently amazed to stumble in and see the Hype Machine was still functioning. In fact, it had even been crowdfunded, and now plays a central part in a quasi historical new book by Lina Abascal on the so-called ‘bloghouse’ movement, an account called Never Be Alone Again of which some excerpts from her writing are aggregated ala the ype Machine below.

“Music was beginning to move at the speed of the internet and new songs could be uploaded, reviewed, distributed, redownloaded, DJed out, remixed, (and repeat) faster than ever before.

Abascal BookMusic blogs in the second half of the ’00s were completely autonomous, uploading a constant stream of new tracks for not much more than the love of the game. (And maybe for the glitter of Z-list celebrity status from a regular position on the Hype Machine charts.)

The mode of discovery shifted away from finding your new favorite song on the radio, at the record store, or even hearing it at a club; now you knew everything about an artist before you even got to the party. The party where a promoter had booked an artist based on hype from blogs written by kids in dorm rooms. The bloggers weren’t totally sure if what they were doing was legal, but it never seemed to matter all that much anyway. Publicists representing the artists being blogged about were known to encourage the practice by sending free download links in their press releases to bloggers.

Compared to now, the scope of the internet felt drastically smaller; a loose network of niche communities that had yet to be flattened by corporate interests.

The true democracy of the sound’s wild wild west was Hype Machine. An aggregator with no human face or editorial input, Hype Machine (sometimes known as Hypem) was founded in 2005 by Anthony Volodkin, a Brooklynite by way of Russia.

“It was a chaotic time for music on the internet. I would spend hours listening and finding new blogs to listen from. Then I started thinking of how I could make something so I could listen to this more easily,” explained Volodkin. Marrying curation with convenience, the software engineer began building a tool to aggregate all of the scene’s music blogs’ daily postings to one website. “It felt like a radio station was being assembled in front of me,” he said of the earliest version of the site.

With its green and white layout, Hype Machine simply listed songs in a numerical ranking by online popularity. Other blogs could decide what to post based on what the rest of the blogosphere was posting, and listeners could head there to streamline the process of trolling the blogs themselves. In its prime, Hype Machine remained a fair, non- gameable website where the good stuff rose to the top. There were no paid posts, no partnerships, no commentary. The technology did the work and the culture did the rest.   (read more at Abascal’s new book Never Be Alone Again )

One of the cool things Volodkin’s HypeM team encoded recently was perhaps a penance for their illicit mp3 spreading past, this being the Merch-Table an application that can cross reference song titles from Spotify Playlists and link out to their monetizable counterpart links on Bandcamp where revenues from purchases are far more likely to actually make it to bands and labels that are keeping music alive. Here are some tracks below that I pulled from Spotify playlists I’ve made that can be found on Bandcamp where you can check out the albums and artists’ official sites to support them.

You can read about the rise and eventual decline in popularity of the Hype Machine here at Noisey

Bobby Fuller Died for Your Sins

Chuck Prophet Buy on Bandcamp →

 

Cenário

FloFilz Buy on Bandcamp →

Bird of Spring

Metropolitan Jazz Affair Buy on Bandcamp →

Always Back to Lorraine

Chrome Pony Buy on Bandcamp →

Sad and Beautiful World

Jesse Malin Buy on Bandcamp →

Lunar Gardens

Possum Buy on Bandcamp →

Jacker

Heavy Times Buy on Bandcamp →

A Psych Tribute to the Doors featuring Raveonettes

Various Artists Buy on Bandcamp →

World Music

Goat Buy on Bandcamp →

Lets Do It Again

Giuda Buy on Bandcamp →

Brenn Siste Brevet

Erlend Ropstad Buy on Bandcamp →

New Leaf

Bantum Buy on Bandcamp →

Back Together

Jean & Trevor Buy on Bandcamp →

Untitled (Black Is)

SAULT Buy on Bandcamp →

Gold Brick

Jon Langford Buy on Bandcamp →

Racey Roller

Giuda Buy on Bandcamp →

I’m Just Like You: Sly’s Stone Flower 1969-1970

Buy on Bandcamp →

Days To Come

Bonobo Buy on Bandcamp →

The Instrumental Session

Various Artists Buy on Bandcamp →

 

Live From Axis Mundi

Gogol Bordello Buy on Bandcamp →

Carved By Glaciers

Lymbyc Systym Buy on Bandcamp →

The Fear Is Excruciating, But Therein Lies The Answer

Red Sparowes Buy on Bandcamp →

Tokyo EP

Nyteowl Buy on Bandcamp →

Kelley Stoltz – Ah! (etc) ! Team Earth recruitment drive live at Great American Music Hall

Kelley Stoltz in Concert
Kelley Stoltz in concert at Great American Music Hall

While the 2020 Covid-19 lockdown threw many musicians for a loop and reassessment while away from the rigors of the road, Kelley Stoltz managed to stay focused mixing and making music, and get multiple vinyl releases out, even with pressing plants backed up. One such release was his Agitated Records release “Ah! (etc)” which starts strong with track one Team Earth and then piles on Stoltz penchant for poppy post punk eighties influences heard developing on his past releases.

At the majestic Great American Music Hall in San Francisco, Stoltz recently highlighted tracks from the underrated “Ah! (etc)” album and here are two clips from that release I shot of the performance using about 5 cameras I snuck into the venue.

First up is the aforementioned Team Earth

Kelley Stoltz – Team Earth (Ah! (Etc) Live!)

#KelleyStoltz invites you 2 join #TeamEarth …video caught live in action behind the barricades at the Great American Music Hall in San Francisco November 19th 2021

Kelley Stoltz 20th Anniversary Celebration of “Antique Glow”
feat Kelley Stoltz on vox Allyson Baker on gtr Russell James Miller on drums Doug Hilsinger on gtr / doodads and Corey Largent on bass

Posted by Lil Mike’s Vidiocracy on Saturday, 20 November 2021

The next song I captured from the set is the third tune on the “Ah! (etc)”album called Never Change Enough …

Kelley’s music is available from all the usual streaming and download sites, but if you want to buy physical copies direct from the musician, I can attest he is a prompt shipper! In the USA check out his bandcamp page at https://kelley.bandcamp.com/album/kelley-stoltz-ah-etc to order what’s in stock . UK/European buyers may wish to purchase his Ah! (etc) album from the Agitated Records bandcamp site at kelleystoltzagitated.bandcamp.com/album/ah-etc … and save on shipping, as they are based in UK.

Foreigner Faux Spike’s Double Vision Halloween Tribute

Below is a video link to The Re-Volts caught live in action disgracing themselves doing a stunningly sick seventies throwback recreation as DOUBLE VISION at the Bad_Acid_Presents  Hallorager VIII at San Francisco’s storied Bottom of the Hill on 10-30-2021 …

They perform two Foreigner Facsimile songs in this quickly edited clip, two corporate cock rock classics: Long Long Way From Home and Cold As Ice ( which was a top ten hit back in summer of ’77).

The posse comin’ at us is led by Spike Slawson, who has taken to heart (vest and wig) the role of Lou Grammatico in his Halloween DOUBLE VISION Foreigner Tribute. Here is backed by pedigreed punk pals including co-founding Dwarves member HEWHOCANNOTBENAMED on keys,  local ne’er do ‘ell and jocular jerk of all horns Jamin Barton , Jack Dalrymple on guitar, Colin Delaney on skins, and Paul Oxborrow in the role of late great OG bassist Ed Gagliardi .

 

A ghastly time was had by all at the Bad Acid Presents Glitter Wizard/Blue Öyster Cult~Re-Volts/Foreigner~Rockers/Thin Lizzy~ Whateverglades/Blondie fest.

 

 

percentages of enablers

The Percentages

enablers is :

Goldring & Thomson – guitars

Ospovat – percussion

Simonelli – words

Recorded Jan 7 2016

The Make-Out Room SF CA

studio version of “the percentages” also is currently available as a pay what you can single:

more enablers downloads including the companion album The Rightful Pivot here: http://enablers.bandcamp.com/

the album was released 07 February 2015 Recorded and Mixed By Desmond Shea and Joe Goldring May/June 2014
at Coast Recorders S.F.

 

LTD vinyl edition is available below in handprinted jackets / digital downloads are also available

 

 

 

Mike’s Mayday Mixcloud 2 HR Tour

My Mayday Mix is ready!

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Lil’ Mike’s MayDay Mix – Raw Rockin’ Random Revelations
by Lil Mike’s Random Revelations & Robust Rants

Time length icon 1h 59m

Plays icon 35
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EPISODE DESCRIPTION

tracklist 1. Tom Petty & Heartbreakers – Anything That’s Rock N’ Roll ( 1976 recording)

2. Iggy Pop – No Fun ( Live Cleveland 1977 with David Bowie)
3. The Riddles – It’s One Thing To Say (1967 Quill 7″)
4. The Perails – Boss Walk (1965 Lynn’s Productions / Folkways )   
5. Jools Holland & His Rhythm & Blues Orchestra feat Jamiroquai – ‘I’m In The Mood For Love’ (2000)
6. Toots & The Maytals – ‘Monkey Man’ (1969)
7. Paolo Nutini ’10/10′ (2010)
8. Jools Holland & His Rhythm & Blues Orchestra feat Suggs from Madness ‘Oranges & Lemons Again’ (2001)
9. The Specials  ‘Gangsters’ (1979)
10. Marbert Rocel – Goya (2009)
11. Depeche Mode – Everything Counts [ Oliver Huntemann & Stephan Bodzin 2007 Radio Edit]
12. Prince – I Like It There (Chaos & Disorder 1996)
13.  Fugazi – Exit Only (1991 STL)
14 . Happy Go Licky – Twist & Shout (1987)
15.  Fugazi – Styrofoam (Did A Man Fall Off Stage? Italy 1990)
16.  Government Issue – Please Understand (1985)
17.  Ozzie Warlock And The Wizzards – Juke Box Fury
18.  Pentagram – Be Forewarned
  19.  Young Rascals – Can You Feel It?
20. Guess Who – Hand Me down World (1983 Soundcheck)
21. Sondra Lerche – Europa & The Pirate Twins (2007 7″ B-Side)
22. RJD2 – The Freshman Lettered ( The Fun Ones 2020)
23. RJD2 – Priceless ( Things Go Better 2007)
24. Weldon Irvine – Softly Pt 1 ( 1 Hr Halfway Point)
25. Persephone’s Bees – Nice Day (2006) 26. Otis Clay – The Only Way Is Up (1980) 27. Asha Bhosle vs Bollywood Funk  – Pyar Zindaghi Hai (2000)
28 . Pop Will Eat Itself – P.W.E.I. Radio (1989)
29. Honeycut – The Day I Turned To Glass (Lil Mike’s Random Instrumental Edit 2006)
30. Los Fabulosos Cadillacs + Fishbone – What’s New Pussycat (1997)
31. Candido Camero with Al Cohn – Mambo Inn (1956)
32. Nick Cave & The Bad Seeds – Oh Deanna / Oh Happy Day ( 1990 Acoustic Version)
33. Lee Hazlewood – Little War (1968)
34. Mojo Nixon & Skid Roper – Get Out Of My Way (1987)
35. Kristian Hoffman – Any One But You ( feat Stew from Negro Problem 2002)
36. Los Bukis – Casas de Carton (1975)
37. Salum Abdallah Yazidi – Cuban Cha Cha (1965)
38. Sekiri – Chameleon (1991)
39. Kristian Hoffman – Get It Right Carny Reprise (2002)

Night Train To Nowhere Electoral Dysfunction Mixcloud

The Random Revelations Night Train To Nowhere Is Waiting For You To Hop Aboard!

A Podblast Powered By Curiously Curated Ska, Soul, Reggae, Dub, Punk, Funk, Easy Listening Music & Hard Liquor.

 

Hear my 2 hrs of painstakingly picked records and some rare soundboard concert clips. Most of my shared recordings are ripped right off vinyl rarities for your listening pleasure by artists such as Gregory Isaacs, Darondo, Dead Moon, Sister Double Happiness, Andre Williams, X, Rare Essence, Van Morrison, Larry Graham, Lou Rawls and The True Believers featuring brothers Javier & Alejandro Escovedo.

 

This episode is new for November and is a nuanced nocturnal tour you’ll want to revisit all over again.

Regale In Retro Rock Blasts from The Pretenders, Billy Squier, Dave Clark Five, Chilliwack, A Flock Of Seagulls as well as new music from contemporary #IndieRock artists like Jesse Dayton & Kelley Stoltz.

For the careful listener you’ll also hear a couple previously unreleased live recordings of a couple of my old late 80’s era bands Mom & The Rolling Scabs.

 

Rotober Random Revelations Mixcloud

Gotta lil’ bored and needed to share some quarantunes with my peeps online… If yer around me in the house, you’d know I spend hours everyday regurgitatin’ through thousands of albums . For those that don’t have the pleasure of me drunkenly thumbing through the shelves and pulling out obscurities I created a digital simulation. This is an official 2 Hour Guided Missile Of a Mixtape, literaly pounds upon pounds of platters painstakingly plopped under yr Spin Doctor’s new needle. (NOTE: long before a hippie jam band in NYC used the name Spin Doctors, I was using the Spin Doctor moniker on flyers for my DJ gigs around San Francisco. I eventually gave up because you know, Little Miss Can’t Be Blecch was getting way too much MTV time, and killed my buzz).

We Begin With Members Of The Dils Cowboy Nation Covering Dave Alvin of The Blasters And End With Wanda Jackson Imitating Charlie Rich. In The Middle We Get Tales Of The Big Boys Playing With Trouble Funk & Gwar Being Banned From The Club For Life At Their Very First Show. There’s Cosmic Sounds Of The Zodiac, BT Express, Flo & Eddie, Kendra Smith, Tom T. Hall, Chuck Prophet, Nick Lowe, The Mexican Hat Dance, Stax Soul Icons & Successful Major Label Heavies Revisiting Their Punk Roots. A Rarely Heard Hip-Hop Collab Between Lil’ Jon, Jay Z & Too Short, Indie Rock Rarities From The Incredible Casuals, And Beatnik Beatch, Plus Hawaiian Islander Protest Music From Israel Kamakawiwo’ole & Michael Kahikina. Dusty Springfield vs Tony Joe White, Hank Ballard vs Kris Kristofferson, Roberta Flack vs Les McCann …So, Uh, Yeah It’s A Thing & It’s All Happening Deep Inside The Random Revelations Rotober 2020 Mix.

Anyhow the the turntablist spins sonic stories for the masses in my latest Illegal , Immoral & Fattening mix…






Tulsa Storyteller Dwight Twilley

Dwight Twilley performing on Oakland

Invoking heady mid-seventies days with late associates Leon Russell and Phil Seymour, then 65 year old Power Pop songsmith Dwight Twilley tells of the struggle getting signed by Shelter Records and making “Sincerley” his debut LP featuring the hit “On Fire” over 40 years ago.

 

 

Eventually after regaling the audience at the Starline Social Club in Oakland California with musical memories and a rare peek at his poetic process, Dwight sucks down a beer, and plays his song “Three Persons” about a thorny love triangle, in a style much like the demo was made for his Shelter Records debut.  

Down here below, we have a video towards the end of the set where Dwight invited Sarah Bethe Nelson and here band to join him on a version of “on Fire” a track he originally recorded with Phil Seymour back in 1974

 

 

 

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