Tag Archives: Live Concert Videos

Flogging Molly Selfish Man in Solana Beach CA April 2000

I shot this live video clip at the Belly Up Tavern in Solana Beach CA in what I believed was September 2000, but have now confirmed through newspaper archive searches the show was earlier that year on April 7th.

 

local newspaper advertisement for San Diego area gigs by Flogging Molly, The Uninvited, Femi Kuti, King Sunny Ade in April 2000
Belly Up ad for that week in spring 2000

These were the days when the relatively new band fronted by former FastWay singer Dave King were still touring on their own self released debut live album, Alive Behind the Green Door, recorded at their old stomping grounds Molly Malone’s on Fairfax in LA. The Flogging Molly debut studio album Swagger came about after hooking up with the Side-One Dummy label around this time and they were invited to tour with Kevin Lyman’s Warped Tour later that summer.

 

 

They’ve since gone on to have a huge career, selling out venues around the world, playing major festivals, securing corporate sponsorship funds from the likes of Jack Daniels & Bushmills whiskey, Orrick law firm and Death Wish Coffee, and even having their own branded  Salty Dog Cruise themed cruise weeks.  Salty Dog Cruises are annual cruise ship traveling circuses curated by Flogging Molly that cost attendees thousands to attend on giant cruise ships from the Port of Miami Florida on into the Caribbean, down to Belize and back  joined by their fave bands performing sets including Rancid, Slackers, Stiff Little Fingers, Vandals etc. It all seems pretty amazing to me since they used to play free shows weekly in LA in the months before this gig where I shot them in Solana Beach where admission was just $10 at the time.

Flogging Molly at Belly Up Tavern April 7th 2000
Flogging Molly at Belly Up Tavern April 7th 2000

Flat Five Find Love Live

A groovy Free Design cover performed by super talented Bloodshot Records recording artists The Flat Five from Chicago Illinois. This cover song was recorded Jan 18th 2017 on the final show of the band’s first ever Pacific Coast Tour in San Francisco.

The Chicago based quintet of Kelly Hogan, Nora O’Connor, Scott Ligon, Casey McDonough, and drummer Alex Hall were surreptitiously recorded for posterity (but Nora kept spotting the lil’ cameras everywhere, cuz she’s still pretty observant for a road weary mamacita). For more info on the Flat Five and to obtain their debut album visit their website http://www.theflatfivechicago.com

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😀 𝙏𝙝𝙖𝙣x 𝙁𝙤𝙧 𝙒𝙖𝙩𝙘𝙝𝙞𝙣𝙜! 🚩

Video graciously hosted for free by LBRY.TV where unfettered free speech & courageous uncensored and non-corporate content can still circulate on the internet

Enorchestra – Golden Hours (Live Eno Tribute)

Caroleen Beatty & Doug Hilsinger’s Enorchestra – Golden Hours (live @MakeOutRoomSF) from LilMikeSF on Vimeo.

This song from Brian Eno’s Another Green World album was reinterpreted musically live at The Make-Out Room in San Francisco 4 /6 / 2019, Doug Hilsinger & Caroleen Beatty are backed by Bruce Ducheneaux on drums, Dusty Jermier on bass, Steve Perrone & Sunny Haire on additional guitars.

Doug, Caroleen, Sunny, Steve, Bruce and Dustin dusted off their unique guitar centric take on the 70’s era Brian Eno classics live at The Make-Out Room for a sold out Enorchestra + Mayya & the Revolutionary Hell Yeah! concert held Saturday April 6th 2019. This is but one of their many Enorchestra takes Brian Eno’s rock classics.

in 2004, Doug Hilsinger and Caroleen Beatty lovingly made a homemade cover version of Brian Eno’s second solo album, “Taking Tiger Mountain (by strategy)”, a wonderful record originally released in 1974 on the EG label. Brian Eno happened to hear the new versions of his old songs and was joyous, proclaiming “I like it very, VERY much!”.

And so it was released on cd by DBK Works label, with Brian Eno writing the liner notes. Two years later DBK went out of business and the cd is now out of print. if you want a CD with all the artwork, get in touch with Doug Hilsinger thru saucefaucet.com

The Blasters – Crazy Baby (Live)

Still Crazy After All These Years, The Mighty Phil Alvin Leads The Boys Through A Classic Rockabilly Rave Up Track They’ve Covering For Decades

Crazy Baby performed by Bill Bateman, John Bazz, Keith Wyatt, and Maestro Phil Alvin live March 26 2017. DJ Sid Presley arranged for a rare opportunity to see the legendary Downey CA founded band The Blasters in a small club setting of the Longboard Margarita Bar in the foggy coastal community of Pacifica CA. Thanx to the Blasters, their Road Crew and the staff at the Longboard for helping with this great event.

The song Crazy Baby was written by Ron Volz and Ron Wernsman. and originally put out in 1958, by their Metamora Illinois based band called The Rockin R’s. Originally issued on Tempus Records, pressed by RCA Victor Custom division ,The Blasters later covered it and put it on their 1980 debut American Music. 

lyrics:
Well, got me a crazy baby, coolest little chick I know
Got me a crazy baby and I love her so
Crazy baby, I love you
Crazy girl, crazy honey, crazy baby, all my own
Crazy baby I wanna take you home
(Let’s rock!)
Well I got me a crazy baby, always on the move
Movin’ little honey that puts me in the groove
Crazy baby, I love you
Crazy girl, crazy honey, crazy baby, all my own
Crazy baby I wanna take you home

(Let’s rock again!)
Well I got me a crazy baby, always on the go
I love my crazy baby, ’cause she digs that rock and roll
Crazy baby, I love you
Crazy girl, crazy honey, crazy baby, all my own
Crazy baby I wanna take you home
(Last time!)
Well crazy baby, always on the go
Crazy baby, I love you so

According to founding member and Phil’s brother DaveAlvin “The Blasters owe a lot to a truck driver whose name I’ve forgotten”.

Phil, Bill, John, and I were working day jobs, rehearsing at night in a factory in #GardenGrove and trying desperately to find any steady gig that paid more than free beer. Our friends, James Harman and Mike Foresta, had recorded a demo tape of us and we’d taken copies to every “cool” nightclub in the Hollywood/West LA area, but no one was interested in a roots band, especially one from #DowneyCalifornia, with no hip credentials.

I read somewhere about “Rockin” Ronny Weiser and his small rockabilly label (Rollin’ Rock), so Phil called him about the possibility of recording us. Ronny was skeptical until Phil sang and played guitar over the phone and within an hour Phil and I were sitting in Ronny’s living room playing him our tape. Ronny dug the tape, but still wouldn’t make a commitment to record us because we’d only played in biker and country bars on the decidedly untrendy southeast side of LA County. We knew none of the Hollywood scenesters and tastemakers and they definitely didn’t know us. That is, until this truck driver came by Ronny’s to pick up boxes of records to be shipped.

“Who’s this playing?” he asked Ronny. “It’s us,” Phil said.

“Is this what these records are? If it is, I’ll buy a copy. My wife and I dig this kind of music. You can’t find music like this anymore.”

We couldn’t have asked for more even if we’d paid him a million bucks. Once he left, Ronny quickly discussed when we’d record our first album and within a few weeks we were in Ronny’s garage/studio. James and Mike were with us for moral support. We drank a lot of beer. Phil, the most experienced, led us patiently and sang his heart out. James let me record with a white Fender Stratocaster that he swore once belonged to Magic Sam. I made mistakes I’ll spend the rest of my life trying to forget, but Ronny kept pushing us to quit thinking too much and just keep it rockin’ (and with a rhythm section like John and Bill, that was no problem). After that first day of recording, we drove back to our side of town punching each other in excitement and jumping up and down in the car seats like little boys. we yelled at strangers in passing cars that we’d made a record and we were gonna be famous. I remember at one point all four of us had our heads out the car windows, laughing cursing, screaming, and howling at the moon.

“Wherever you are, Mr. Truck Driver, thanks man.”
—Dave Alvin in the #AmericanMusic reissue liner notes, – via Hightone Records, 1997