Category Archives: Live at Bottom Of The Hill

Dirtbombs – Shake Shivaree in HD

In August 2001 the Dirtbombs from Detroit Michigan convened at the Bottom Of The Hill in San Francisco for a memorable gig that has stood the test of time nearlt two decades later. Here’s an exclusive never before seen edited HD clip of the Dirtbombs opening number shot with two Sony digital video cameras in the back of a sweaty sold out club on a warm San Francisco night. This newly rediscovered & remastered HD edit of the opening number from the show features the closing track of their 12 song 1998 debut album “Horndog Fest”.

Then below this never before seen video is another of  the band tearing through a medley of back of back tunes from the same set:

Cedar Point ’76/ I’ll Be In Trouble/Chains Of Love/Maybe Your Baby

Dennis Loren designed rock poster art for The Dirtbombs 8/9/2001 show at Bottom Of The Hill with The Bellrays & Lords Of Altamont
Creem Mag inspired poster for the show by Detroit artist Dennis Loren

 The Dirtbombs, fronted by the then 35-year-old Mick Collins (already a veteran of budget garage rawk groups such as Blacktop & The Gories), were out and about mainly to promote their sophomore album, Ultraglide in Black on the In The Red label. At the time, rock scribe, Jennifer Maerz interviewed Collins for an interview that was published days prior to the gig in SF Weekly where she noted Collins got the idea for the Dirtbombs back in 1992, while on tour in Europe with the Gories. At that time, he said the punk trend was to chuck the bass player and just have drums and guitars — a trend he reacted to by having two bass players. Since then, the band has gone through 10 lineups. “There’s enough ex-Dirtbombs to make five whole bands. There’s a couple people whose names I don’t even remember,” chuckles Collins. (The latest configuration includes Ghetto Records owner Jim Diamond on bass, Tom Potter on “fuzz” bass, Pat Patano and Ben Blackwell on drums, and Collins on vocals, guitar, and harmonica.)

Mick told Maerz “We’re extremely loud live because we have two drum sets and two full bass rigs — and we keep the beat going all night,” says Collins. “In addition to “loud,’ I guess “unpredictable’ is a good word. We never know what’s going to happen. There’s a lot of give-and-take with the audience — the more they’re into it, the more we are. We encourage people to dress wild, wear costumes and stuff. Don’t worry about looking cool; don’t worry about that scenester crap. We don’t fit in, why should you? Let your freak flag fly high, baby! Let it all hang out!”

Giuda – Comin’ Back To You

The Crowd Pleasin’ Kitsch Heavy Glam Rock Of Italian Band Giuda Never Fails To Entertain. Here They Are At A Packed Show I Shot At The Bottom Of The Hill in San Francisco

The main two members of Giuda are the songwriters Lorenzo (guitarist) and Tenda (lead vocalist) who have known each other since they were toddlers and were also in a band called Taxi for ten years in Rome before Giuda put out their first album in 2010. That debut album, “Racy Roller” , was described as “Cock Sparrer twinned with the Equals” and features the studio version of this song in the video I just cobbled together. Giuda music is available as purchasable actual vinyl artifacts or even streamable through all the evil innernetted outlets in the universe.

I first caught a glimpsr of Giuda by chance in a packed Thee Parkside circa summer 2016, when I was there to catch the Briefs.

It was hot and sweaty and equipent wise and position was ill equipped for the frenzy, late to hit the thick sweaty pit and get appropriate images of their act down for posterity. When Giuda came back to the Bottom of the Hill a year later in the fall of 2017, I made sure to spread a few cameras around, and try to trap a little of the glory. Unfortunately batteries started fading during opening sets by Buster Shuffle Official and So What and then Giuda’s road manager ixnayed me placing a camera up on the stage where I could get the prime view…

By the time the mighty power pop professionals of Giuda came downstairs and popped onto the stage to deliver their 70’s style schtick like the equivalent of a Sardinian Slade tribute or a Sweet & Cheap Trick influenced Italian suedehed band, I was down in the pit up front clutching an iPhone 6, a bootleg Go Pro knock-off and a lo-rez outdated Zoom Q3 I had found in the garbage a year earlier. (All 3 devices are since either fried, dead and buried or lost).

Pinched by the front of the stage, behind a floor wedge, whilst getting elbowed by a still photographer with a big pro looking lens and constantly getting banged into by moonstompers from behind, I hoped for the best. I made a go of capturing some shaky lo-fi video shots while trying to avoid concrete poles and flying drinks, and hopefully getting some not altogether too overloaded and muffled audio.

It took about 8+ hours to edit and render this puppy while home sick one day, much of it spent on trying to EQ and balance the audio so you could at least hear a semblance of vocals over the boomin’ bass amp I was right in front of. 


I’ve now watched it at least once and it seems pretty rockin’, capturing the goonish cartoonish style of these swarthy saviours of the lost sounds of the 70’s, that they’ve remade into a catchy 21st century glam punk hybrid. Enjoy

Chuck Prophet – The Hurting Business (Live 2000)

Chuck Prophet and the Mission Express shot live at The Bottom Of The Hill in San Francisco during the recording of their Cooking Vinyl Live Album “Turn The Pigeons Loose”

Dedicated to Iron Mike Tyson, this is the title track of Chuck’s 1999 album, The Hurting Business. This is footage I shot live in August 4th 2000 in San Francisco at The Bottom Of The Hill during the making of the live album “Turn The Pigeons Loose”.

This is my unofficial raw non EQ’d camera mic room recording heard maxing out on the audio channel occasionally. A properly mixed & mastered version of this song recording appears on the Chuck Prophet & The Mission Express official live album “Turn The Pigeons Loose”.

Accept no substitute for the real thing, and support the artists & labels that bring great music to life! The full length live album is available and released through Cooking Vinyl, available for download at this link : http://tinyurl.com/2ourwo